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Tuesday, March 3, 2015

Study of ancient DNA backs theory of massive steppe migration to Europe some 4,500 years ago

Published March 03, 2015
Scientists say ancient DNA samples indicate massive migration to Europe from the east took place some 4,500 years ago.
The findings support the theory that some Indo-European languages, such as Germanic and Slavic, were introduced by people from the steppe.
Researchers from Europe, the United States and Australia analyzed the DNA of 69 people who lived between 8,000 and 3,000 years ago. According to their research, published Monday in the journal Nature, genes from the Yamnaya who lived north of the Black and Aral Seas appeared in what is now northern Germany some four-and-one half millennia ago.
The researchers say since major language replacements are believed to require large-scale migration, the huge influx of ancient steppe DNA still in many present-day Europeans could account for the rise of Indo-European languages.

Poltavka culture

From Wikipedia, the free encyclopedia
Bronze Age
Neolithic
Near East (c. 3300–1200 BC)
Anatolia, Caucasus, Elam, Egypt, Levant, Mesopotamia, Sistan
Bronze Age collapse
South Asia (c. 3000–1200 BC)
Ochre Coloured Pottery
Cemetery H
Europe (c. 3200–600 BC)
Aegean, Caucasus, Catacomb culture, Srubna culture, Beaker culture, Unetice culture, Tumulus culture, Urnfield culture, Hallstatt culture, Apennine culture
Atlantic Bronze Age, Bronze Age Britain, Nordic Bronze Age
China (c. 2000–700 BC)
Erlitou, Erligang
arsenical bronze
writing, literature
sword, chariot
Iron age

Poltavka culture, 2700—2100 BC, an early to middle Bronze Age archaeological culture of the middle Volga from about where the Don-Volga canal begins up to the Samara bend, with an easterly extension north of present Kazakhstan along the Samara River valley to somewhat west of Orenburg.
It is like the Catacomb culture preceded by the Yamna culture, while succeeded by the Sintashta culture. It seems to be seen as an early manifestation of the Srubna culture. There is evidence of influence from the Maykop culture to its south.
The only real things that distinguish it from the Yamna culture are changes in pottery and an increase in metal objects. Tumulus inhumations continue, but with less use of ochre.
It was preceded by the Yamna culture and succeeded by the Srubna and Sintashta culture. It is presumptively early Indo-Iranian (Proto-Indo-Iranian).

Sintashta

From Wikipedia, the free encyclopedia
Sintashta (Russian: Синташта) is an archaeological site in Chelyabinsk Oblast, Russia. It is the remains of a fortified settlement dating to the Bronze Age, c. 2800–1600 BC,[1] and is the type site of the Sintashta culture. The site has been characterised "fortified metallurgical industrial center".[2]
Sintashta is situated in the steppe just east of the Ural Mountains. The site is named for the adjacent Sintashta River, a tributary to the Tobol. The shifting course of the river over time has destroyed half of the site, leaving behind thirty one of the approximately fifty or sixty houses in the settlement.[3]
The settlement consisted of rectangular houses arranged in a circle 140 m in diameter and surrounded by a timber-reinforced earthen wall with gate towers and a deep ditch on its exterior. The fortifications at Sintashta and similar settlements such as Arkaim were of unprecedented scale for the steppe region. There is evidence of copper and bronze metallurgy taking place in every house excavated at Sintashta, again an unprecedented intensity of metallurgical production for the steppe.[3] Early Abashevo culture ceramic styles strongly influenced Sintashta ceramics.[4] Due to the assimilation of tribes in the region of the Urals, such as the Pit-grave, Catacomb, Poltavka, and northern Abashevo into the Novokumak horizon, it would seem inaccurate to provide Sintashta with a purely Aryan attribution.[5] In the origin of Sintashta, the Abashevo culture would play an important role.[4]
Five cemeteries have been found associated with the site, the largest of which (known as Sintashta mogila or SM) consisted of forty graves. Some of these were chariot burials, producing the oldest known chariots in the world. Others included horse sacrifices—up to eight in a single grave—various stone, copper and bronze weapons, and silver and gold ornaments. The SM cemetery is overlain by a very large kurgan of a slightly later date. It has been noted that the kind of funerary sacrifices evident at Sintashta have strong similarities to funerary rituals described in the Rig Veda, an ancient Indian religious text often associated with the Proto-Indo-Iranians.[3]
Radiocarbon dates from the settlement and cemeteries span over a millennium, suggesting an earlier occupation belonging to the Poltavka culture. The majority the dates, however, are around 2100–1800 BC, which points at a main period of occupation of the site consistent with other settlements and cemeteries of the Sintashta culture.[3]

Sintashta culture

From Wikipedia, the free encyclopedia
Sintashta culture
Period Bronze Age
Dates 2100–1800 BCE
Type site Sintashta
Major sites Arkaim
Petrovka
Characteristics Extensive copper and bronze metallurgy
Fortified settlements
Elaborate weapon burials
Earliest known chariots
Preceded by Poltavka culture, Abashevo culture

Map of the approximate maximal extent of the Andronovo culture. The formative Sintashta-Petrovka culture is shown in darker red. The location of the earliest spoke-wheeled chariot finds is indicated in purple. Adjacent and overlapping cultures (Afanasevo culture, Srubna culture, BMAC) are shown in green.
 
The Sintashta culture, also known as the Sintashta-Petrovka culture[1] or Sintashta-Arkaim culture,[2] is a Bronze Age archaeological culture of the northern Eurasian steppe on the borders of Eastern Europe and Central Asia, dated to the period 2100–1800 BCE.[3] The earliest known chariots have been found in Sintashta burials, and the culture is considered a strong candidate for the origin of the technology, which spread throughout the Old World and played an important role in ancient warfare.[4] Sintashta settlements are also remarkable for the intensity of copper mining and bronze metallurgy carried out there, which is unusual for a steppe culture.[5]
Because of the difficulty of identifying the remains of Sintashta sites beneath those of later settlements, the culture was only recently distinguished from the Andronovo culture.[2] It is now recognised as a separate entity forming part of the 'Andronovo horizon'.[1]

Contents

Origin

The Sintashta culture emerged from the interaction of two antecedent cultures. Its immediate predecessor in the Ural-Tobol steppe was the Poltavka culture, an offshoot of the cattle-herding Yamnaya horizon that moved east into the region between 2800 and 2600 BCE. Several Sintashta towns were built over older Poltovka settlements or close to Poltovka cemeteries, and Poltovka motifs are common on Sintashta pottery. Sintashta material culture also shows the influence of the late Abashevo culture, a collection of settlements in the forest steppe zone north of the Sintashta region that were also predominantly pastoralist.[6] The first Sintashta settlements appeared around 2100 BCE, during a period of climatic change that saw the already arid Kazakh steppe region become even more cold and dry. The marshy lowlands around the Ural and upper Tobol rivers, previously favoured as winter refuges, became increasingly important for survival. Under these pressures both Poltovka and Abashevo herders settled permanently in river valley strongholds, eschewing more defensible hill-top locations.[7] The Abashevo culture was already marked by endemic intertribal warfare;[8] intensified by ecological stress and competition for resources in the Sintashta period, this drove the construction of fortifications on an unprecedented scale and innovations in military technique such as the invention of the war chariot. Increased competition between tribal groups may also explain the extravagant sacrifices seen in Sintashta burials, as rivals sought to outdo one another in acts of conspicuous consumption analogous to the North American potlatch tradition.[7]

Metal production

The Sintashta economy came to revolve around copper metallurgy. Copper ores from nearby mines (such as Vorovskaya Yama) were taken to Sintashta settlements to be processed into copper and arsenical bronze. This occurred on an industrial scale: all the excavated buildings at the Sintashta sites of Sintashta, Arkaim and Ust'e contained the remains of smelting ovens and slag.[7] Much of this metal was destined for export to the cities of the Bactria–Margiana Archaeological Complex (BMAC) in Central Asia. The metal trade between Sintashta and the BMAC for the first time connected the steppe region to the ancient urban civilisations of the Near East: the empires and city-states of Iran and Mesopotamia provided an almost bottomless market for metals. These trade routes later became the vehicle through which horses, chariots and ultimately Indo-Iranian-speaking people entered the Near East from the steppe.[9][10]

Ethnic and linguistic identity

The people of the Sintashta culture are thought to have spoken Proto-Indo-Iranian, the ancestor of the Indo-Iranian language family. This identification is based primarily on similarities between sections of the Rig Veda, an Indian religious text which includes ancient Indo-Iranian hymns recorded in Vedic Sanskrit, with the funerary rituals of the Sintashta culture as revealed by archaeology.[11] There is however linguistic evidence of a list of common vocabulary between Finno-Ugric and Indo-Iranian languages. While its origin as a creole of different tribes in the Ural region may make it inaccurate to ascribe the Sintashta culture exclusively to Indo-Iranian ethnicity, interpreting this culture as a blend of two cultures with two distinct languages is a reasonable hypothesis based on the evidence.[12]

See also

Abashevo culture

From Wikipedia, the free encyclopedia
Bronze Age
Neolithic
Near East (c. 3300–1200 BC)
Anatolia, Caucasus, Elam, Egypt, Levant, Mesopotamia, Sistan
Bronze Age collapse
South Asia (c. 3000–1200 BC)
Ochre Coloured Pottery
Cemetery H
Europe (c. 3200–600 BC)
Aegean, Caucasus, Catacomb culture, Srubna culture, Beaker culture, Unetice culture, Tumulus culture, Urnfield culture, Hallstatt culture, Apennine culture
Atlantic Bronze Age, Bronze Age Britain, Nordic Bronze Age
China (c. 2000–700 BC)
Erlitou, Erligang
arsenical bronze
writing, literature
sword, chariot
Iron age

The Abashevo culture is a later Bronze Age (ca. 2500–1900 BCE) archaeological culture found in the valleys of the Volga and Kama River north of the Samara bend and into the southern Ural Mountains. It receives its name from the village of Abashevo in Chuvashia. Artifacts are kurgans and remnants of settlements. The Abashevo was the easternmost of the Russian forest zone cultures that descended from Corded Ware ceramic traditions. The Abashevo culture played a significant role in the origin of the Sintashta culture.[1] The Abashevo culture does not pertain to the Andronovo culture and genetically belongs to the circle of Central European cultures of the Fatyanovo culture type corded ware ceramics.[2]
The economy was mixed agriculture. Cattle, sheep, and goats, as well as other domestic animals were kept. Horses were evidently used, inferred by cheek pieces typical of neighboring steppe cultures.[3] The population of Sintashta derived their stock-breeding from Abashevo, although the role of the pig shrinks sharply.[4]
It follows the Yamna culture and Balanovo culture[5] in its inhumation practices in tumuli. Flat graves were also a component of the Abashevo culture burial rite,[6] as in the earlier Fatyanovo culture.[7] Grave offerings are scant, little more than a pot or two. Some graves show evidence of a birch bark floor and a timber construction forming walls and roof.[8]
There is evidence of copper smelting, and the culture would seem connected to copper mining activities in the southern Urals. The Abashevo culture was an important center of metallurgy[9] and stimulated the formation of Sintashta metallurgy.[10]
The Abashevo ethno-linguistic identity is a subject of speculation, although it likely reflected a merger of the earlier Iranian steppe Poltavka culture, an extension of Fatyanovo-Balanovo traditions,[11] and contacts with speakers of Uralic; Abashevo was likely the area in which some loan-words entered Uralic. The skulls of the Abashevo differ[how?] from those of the Timber Grave culture, early Catacomb culture, or the Potapovka culture.[12] Abashevo probably witnessed a bilingual population undergo a process of assimilation.[13] Some members of the hunter-gatherer Volosovo culture were apparently also absorbed into the Abashevo populace, as corded-impressed Abashevo pottery has been found alongside comb-stamped Volosovo ceramics at archaeological sites &nbsp: sometimes even in the same structure.[14]
Abashevo occupied part of the area of the earlier Fatyanovo-Balanovo culture, the eastern variant of the earlier Corded Ware culture, but whatever relationship there is between the two cultures is uncertain. The pre-eminent expert on the Abashevo culture, A. Pryakhin, concluded that it originated from contacts between Fatyanovo / Balanovo and Catacomb / Poltavka peoples in the southern forest-steppe.[15] Early Abashevo ceramic styles strongly influenced Sintashta ceramics.[16]
It was preceded by the Yamna culture and succeeded by the Srubna culture and the Sintashta culture.[17]

Fatyanovo–Balanovo culture

From Wikipedia, the free encyclopedia
  (Redirected from Fatyanovo-Balanovo culture)

Fatyanovo-Balanovo culture is shown in pink.
Bronze Age
Neolithic
Near East (c. 3300–1200 BC)
Anatolia, Caucasus, Elam, Egypt, Levant, Mesopotamia, Sistan
Bronze Age collapse
South Asia (c. 3000–1200 BC)
Ochre Coloured Pottery
Cemetery H
Europe (c. 3200–600 BC)
Aegean, Caucasus, Catacomb culture, Srubna culture, Beaker culture, Unetice culture, Tumulus culture, Urnfield culture, Hallstatt culture, Apennine culture
Atlantic Bronze Age, Bronze Age Britain, Nordic Bronze Age
China (c. 2000–700 BC)
Erlitou, Erligang
arsenical bronze
writing, literature
sword, chariot
Iron age

The Fatyanovo–Balanovo culture, 3200 BC2300 BC, is an eastern extension of the Corded Ware culture into Russia.
It runs from Lake Pskov in the west to the middle Volga in the east, with its northern reach in the valley of the upper Volga. It is really two cultures, the Fatyanovo in the west, the Balanovo in the east. The Fatyanovo culture emerged at the northeastern edge of the Middle Dnieper culture, and probably was derived from an early variant of the Middle Dnieper culture.[1]
Fatyanovo migrations correspond to regions with hydronyms of a Baltic language dialect mapped by linguists as far as the Oka river and the upper Volga. Spreading eastward down the Volga they discovered the copper ores of the western Ural foothills, and started long term settlements in lower Kama river region. The Balanovo culture occupied the region of the Kama–Vyatka–Vetluga interfluves[2] where metal resources (local copper sandstone deposits[3]) of the region were exploited.[4]
Fatyanovo ceramics show mixed Corded Ware / Globular Amphorae traits. The later Abashevo culture pottery looked somewhat like Fatyanovo-Balanovo Corded Ware, but Abashevo kurgans were unlike Fatyanovo flat cemeteries, although flat graves[5] were a recognizable component of the Abashevo burial rite. Balanovo burials (like the Middle Dnieper culture[6]) were both of the flat and kurgan type, containing individual and also mass graves.[7]
Settlements are scant, and bear evidence of a degree of fortification. The villages were usually situated on the high hills of the riverbanks, consisting of several above-ground houses built from wooden logs with saddle roofs, and also joined by passages.[8] The economy seems to be quite mobile, but then we are cautioned that domestic swine are found, which suggests something other than a mobile society. The Fatyanovo culture is viewed as introducing an economy based on domestic livestock (sheep, cattle, horse & dog) into the forest zone of Russia.[9] The Balanovo also used draught cattle and two wheeled wagons.[10]
As is usual with such ancient cultures, our main knowledge comes from their inhumations. Shaft graves were evident, which might be lined with wood. The deceased were wrapped in animal skins or birch bark and placed into wooden burial chambers in subterranean rectangular pits.[11] The interments are otherwise in accord with Corded Ware practices, with males resting on their right side and females on their left.[12] Local metal objects of a Central European provenance type were present. Copper ornaments and tools have been found in Balanovo burials. Burial goods depended on sex, age, and social position. Copper axes primarily accompanied persons of high social position, stone axe-hammers were given to men, flint axes to children and women. Amulets are frequently found in the graves[13] as well as metal working implements.[14]
The theory for an intrusive culture is based upon the physical type of the population, flexed burial under barrows, the presence of battle-axes and ceramics. There are similarities between Fatyanovo and Catacomb culture stone battle-axes.[15] The Volosovo culture of indigenous forest foragers was different in its ceramics, economy, and mortuary practices. It dispersed when the Fatyanovo people pushed into the Upper and Middle Volga basin.[16] Ceramic finds indicate Balanovo coexisted with the Finno-Permic Volosovo people (mixed Balanovo-Volosovo sites), and also displace them.[17] Note that the ethnic and linguistic attribution of the Volosovo culture is uncertain; Häkkinen maintains that their language was neither Uralic nor Indo-European, but a substratum to Finno-Permic.[18] The cultures of the Prikamsky subarea in the Late Bronze Age continued preceding traditions in pottery, house designs, and stable animal husbandry with the breeding of horse, cattle, and to a lesser extent, pigs and sheep. Scholars interpret some of these cultures with stages in the development of the proto-Permian language.[19] Some have argued that this culture represents the acculturation of Pit-Comb Ware culture people of this area from contacts with Corded Ware agriculturists in the West.[20] It does not seem to represent a northern extension of the Indo-European Yamna culture horizon further south.
Historical sources mention a people inhabiting the region of the earlier Fatyanovo region. The Hypatian Codex of Chronicles mentions that in 1147 the Prince of Rostov-Suzdal defeated the Golyad' (Голядь) who lived by the River Porotva. The Protva is a tributary of the Oka river near Moscow, where there is a wealth of Baltic hydronyms.

Middle Dnieper culture

From Wikipedia, the free encyclopedia



Bronze Age
Neolithic
Near East (c. 3300–1200 BC)
Anatolia, Caucasus, Elam, Egypt, Levant, Mesopotamia, Sistan
Bronze Age collapse
South Asia (c. 3000–1200 BC)
Ochre Coloured Pottery
Cemetery H
Europe (c. 3200–600 BC)
Aegean, Caucasus, Catacomb culture, Srubna culture, Beaker culture, Unetice culture, Tumulus culture, Urnfield culture, Hallstatt culture, Apennine culture
Atlantic Bronze Age, Bronze Age Britain, Nordic Bronze Age
China (c. 2000–700 BC)
Erlitou, Erligang
arsenical bronze
writing, literature
sword, chariot
Iron age
The Middle Dnieper culture is an eastern extension of the Corded Ware culture, ca. 3200—2300 BC, of northern Ukraine and Belarus. As the name indicates, it was centered on the middle reach of the Dnieper River and is contemporaneous with the latter phase and then a successor to the Indo-European Yamna culture, as well as to the latter phase of the Tripolye culture.
Geographically it is directly behind the area occupied by the Globular Amphora culture (south and east), and while commencing a little later and lasting a little longer, it is otherwise contemporaneous with it.
More than 200 sites are attested to, mostly as barrow inhumations under tumuli; some of these burials are secondary depositions into Yamna-era kurgans. Grave goods included pottery and stone battle-axes. There is some evidence of cremation in the northerly area. Settlements seem difficult to define; the economy was much like that of the Yamna and Corded Ware cultures, semi-to-fully-nomadic pastoralism.[1]
Within the context of the Kurgan hypothesis of Marija Gimbutas, this culture is a major center for migrations (or invasions, if you prefer) from the Yamna culture and its immediate successors into Northern and Central Europe.
It has been argued that the area where the Middle Dnieper culture is situated would have provided a better migration route for steppe tribes along the Pripyat tributary of the Dnieper and perhaps provided the cultural bridge between Yamna and Corded Ware cultures. This area has also been a classic invasion route as seen historically with the armies of the Mongol Golden Horde (moving east to west from the steppes) and Napoleon Bonaparte (moving west to east from Europe).[2] On the other hand the Middle-Dnieper culture has been viewed as a contact zone between Yamnaya steppe tribes and occupants of the forest steppe zone possibly signaling communications between pre-Indo-Iranian speakers and pre-Balto-Slavs as interpreted by an exchange of material goods evident in the archaeological record sans migration.[3]

Sredny Stog culture

From Wikipedia, the free encyclopedia
The Sredny Stog culture is a pre-kurgan archaeological culture, named after the Russian term for the Dnieper river islet of Seredny Stih, Ukraine, where it was first located, dating from the 5th millennium BC. It was situated across the Dnieper river on both its shores, with sporadic settlements to the west and east.[1] One of the best known sites associated with this culture is Dereivka, located on the right bank of the Omelnik, a tributary of the Dnieper, and is the most impressive site within the Sredny Stog culture complex, being about 2,000 square meters in area.

Overview

The Sredny Stog culture seems to have had contact with the agricultural Cucuteni-Trypillian culture in the west and was a contemporary of the Khvalynsk culture.
In its three largest cemeteries, Alexandria (39 individuals), Igren (17) and Dereivka (14), evidence of inhumation in flat graves (ground level pits) has been found.[2] This parallels the practise of the Cucuteni-Trypillian culture, and is in contrast with the later Yamna culture, which practiced tumuli burials, according to the Kurgan hypothesis. In Sredny Stog culture, the deceased were laid to rest on their backs with the legs flexed. The use of ochre in the burial was practiced, as with the kurgan cultures. For this and other reasons, Yuri Rassamakin suggests that the Sredny Stog culture should be considered as an areal term, with at least four distinct cultural elements co-existing inside the same geographical area.
The expert Dmytro Telegin has divided the chronology of Sredny Stog into two distinct phases. Phase II (ca. 4000–3500 BC) used corded ware pottery which may have originated there, and stone battle-axes of the type later associated with expanding Indo-European cultures to the West. Most notably, it has perhaps the earliest evidence of horse domestication (in phase II), with finds suggestive of cheek-pieces (psalia).
In the context of the modified Kurgan hypothesis of Marija Gimbutas, this pre-kurgan archaeological culture could represent the Urheimat (homeland) of the Proto-Indo-European language. The culture ended at around 3500 BC, when Yamna culture expanded westward replacing Sredny Stog, and coming into direct contact with the Cucuteni-Trypillian culture in the western Ukraine.

Yamna culture

From Wikipedia, the free encyclopedia

The Yamna culture 3500-2000 BC.


Approximate culture extent c. 3200-2300 BC.

The Yamna culture (Ukrainian: Ямна культура, Russian: Ямная культура, "Pit [Grave] Culture", from Russian/Ukrainian яма, "pit") is a late copper age/early Bronze Age culture of the Southern Bug/Dniester/Ural region (the Pontic steppe), dating to the 36th–23rd centuries BC. The name also appears in English as Pit Grave Culture or Ochre Grave Culture.
The culture was predominantly nomadic, with some agriculture practiced near rivers and a few hillforts.[1]
The Yamna culture was preceded by the Sredny Stog culture, Khvalynsk culture and Dnieper-Donets culture, while succeeded by the Catacomb culture and the Srubna culture.

Characteristics

Characteristic for the culture are the inhumations in kurgans (tumuli) in pit graves with the dead body placed in a supine position with bent knees. The bodies were covered in ochre. Multiple graves have been found in these kurgans, often as later insertions.[citation needed]
Significantly, animal grave offerings were made (cattle, sheep, goats and horse), a feature associated with Proto-Indo-Europeans .[2]
The earliest remains in Eastern Europe of a wheeled cart were found in the "Storozhova mohyla" kurgan (Dnipropetrovsk, Ukraine, excavated by Trenozhkin A.I.) associated with the Yamna culture.

Spread and identity

The Yamna culture is identified with the late Proto-Indo-Europeans (PIE) in the Kurgan hypothesis of Marija Gimbutas. It is the strongest candidate for the Urheimat (homeland) of the Proto-Indo-European language, along with the preceding Sredny Stog culture, now that archaeological evidence of the culture and its migrations has been closely tied to the evidence from linguistics.[3]
Pavel Dolukhanov argues that the emergence of the Pit-Grave culture represents a social development of various local Bronze Age cultures, representing "an expression of social stratification and the emergence of chiefdom-type nomadic social structures", which in turn intensified inter-group contacts between essentially heterogeneous social groups.[4]
It is said to have originated in the middle Volga based Khvalynsk culture and the middle Dnieper based Sredny Stog culture.[citation needed] In its western range, it is succeeded by the Catacomb culture; in the east, by the Poltavka culture and the Srubna culture.

Genetics

DNA from the remains of nine individuals associated with the Yamna culture from Samara Oblast and Orenburg Oblast has been analyzed. The remains have been dated to 2700-3339 BCE. Y-chromosome sequencing revealed that one of the individuals belonged to haplogroup R1b1-P25 (the subclade could not be determined), one individual belonged to haplogroup R1b1a2a-L23 (and to neither the Z2103 nor the L51 subclades), and five individuals belonged to R1b1a2a2-Z2103. The individuals belonged to mtDNA haplogroups U4a1, W6, H13a1a1a, T2c1a2, U5a1a1, H2b, W3a1a and H6a1b. A recent genome wide association study revealed The autosomal DNA characteristics are very close to the Corded Ware culture and estimated a 73% ancestral contribution from the Yamna into the Corded Ware. The same study estimated a 45-50% ancestral contribution of the Yamna into modern Central & Northern Europeans, and a 20-30% contribution into modern Southern Europeans [excluding Sardinians].[5]

Artifacts

 From the Hermitage Museum collections

Yamna02.jpgYamna03.jpg

Yamna05.jpgYamna04.jpg

Proto-Indo-Europeans

From Wikipedia, the free encyclopedia

The Proto-Indo-Europeans were the speakers of the Proto-Indo-European language (PIE), a reconstructedprehistoric language of Eurasia.
Knowledge of them comes chiefly from the linguistic reconstruction, along with material evidence from archaeology and archaeogenetics. According to some archaeologists, PIE speakers cannot be assumed to have been a single, identifiable people or tribe, but were a group of loosely related populations ancestral to the later, still partially prehistoric, Bronze Age Indo-Europeans. This view is held especially by those archaeologists who posit an original homeland of vast extent and immense time depth. However, this view is not shared by linguists, as proto-languages, like all languages before modern transport and communication, occupied small geographical areas over a limited time span, and were spoken by a set of close-knit communities—a tribe in the broad sense.
The Proto-Indo-Europeans likely lived during the late Neolithic, or roughly the 4th millennium BC. Mainstream scholarship places them in the forest-steppe zone immediately to the north of the western end of the Pontic-Caspian steppe in Eastern Europe. Some archaeologists would extend the time depth of PIE to the middle Neolithic (5500 to 4500 BCE) or even the early Neolithic (7500 to 5500 BC), and suggest alternative location hypotheses.
By the early second millennium BC, offshoots of the Proto-Indo-Europeans had expanded far and wide across Eurasia, including Anatolia (Hittites), the Aegean (Mycenaean Greece), Western Europe (Corded Ware culture), the edges of Central Asia (Yamna culture), and southern Siberia (Afanasevo culture).[1]

Culture

The following basic traits of the Proto-Indo-Europeans and their environment are widely agreed upon but still hypothetical due to their reconstructed nature:
  • stockbreeding and animal husbandry, including domesticated cattle, horses, and dogs[2]
  • agriculture and cereal cultivation, including technology commonly ascribed to late-Neolithic farming communities, e.g., the plow[3]
  • a climate with winter snow[4]
  • transportation by or across water[2]
  • the solid wheel,[2] used for wagons, but not yet chariots with spoked wheels[5]
  • worship of a sky god,[3] *dyeus ph2tēr (lit. "sky father"; > Ancient Greek Ζεύς (πατήρ) / Zeus (patēr); *dieu-ph2tēr > Latin Jupiter; Illyrian Deipaturos)[6][7]
  • oral heroic poetry or song lyrics that used stock phrases such as imperishable fame[2] and wine-dark sea
  • a patrilineal kinship-system based on relationships between men[2]
The Proto-Indo-Europeans had a patrilineal society, relying largely on agriculture, but partly on animal husbandry, notably of cattle and sheep. They had domesticated horses*eḱwos (cf. Latin equus). The cow (*gwous) played a central role, in religion and mythology as well as in daily life. A man's wealth would have been measured by the number of his animals (small livestock), *peḱus (cf. English fee, Latin pecunia).
They practiced a polytheisticreligion centered on sacrificialrites, probably administered by a priestly caste. Burials in barrows or tomb chambers apply to the Kurgan culture, in accordance with the original version of the Kurgan hypothesis, but not to the previous Sredny Stog culture, which is also generally associated with PIE. Important leaders would have been buried with their belongings in kurgans, and possibly also with members of their households or wives (human sacrifice, suttee).
Many Indo-European societies know a threefold division of priests, a warrior class, and a class of peasants or husbandmen. Georges Dumézil has suggested such a division for Proto-Indo-European society.
If there were a separate class of warriors, it probably consisted of single young men. They would have followed a separate warrior code unacceptable in the society outside their peer-group. Traces of initiation rites in several Indo-European societies suggest that this group identified itself with wolves or dogs (see also Berserker, werewolf).
As for technology, reconstruction indicates a culture of the late Neolithic bordering on the early Bronze Age, with tools and weapons very likely composed of "natural bronze" (i.e., made from copper ore naturally rich in silicon or arsenic). Silver and gold were known, but not silver smelting (as PIE has no word for lead, a by-product of silver smelting), thus suggesting that silver was imported. Sheep were kept for wool, and textiles were woven. The wheel was known, certainly for ox-drawn wagons.

History of research

Researchers have made many attempts to identify particular prehistoric cultures with the Proto-Indo-European-speaking peoples, but all such theories remain speculative. Any attempt to identify an actual people with an unattested language depends on a sound reconstruction of that language that allows identification of cultural concepts and environmental factors associated with particular cultures (such as the use of metals, agriculture vs. pastoralism, geographically distinctive plants and animals, etc.).
The scholars of the 19th century who first tackled the question of the Indo-Europeans' original homeland (also called Urheimat, from German), had essentially only linguistic evidence. They attempted a rough localization by reconstructing the names of plants and animals (importantly the beech and the salmon) as well as the culture and technology (a Bronze Age culture centered on animal husbandry and having domesticated the horse). The scholarly opinions became basically divided between a European hypothesis, positing migration from Europe to Asia, and an Asian hypothesis, holding that the migration took place in the opposite direction.
In the early 20th century, the question became associated with the expansion of a supposed "Aryan race".[8] The question remains contentious within some flavours of ethnic nationalism (see also Indigenous Aryans).
A series of major advances occurred in the 1970s due to the convergence of several factors. First, the radiocarbon dating method (invented in 1949) had become sufficiently inexpensive to be applied on a mass scale. Through dendrochronology (tree-ring dating), pre-historians could calibrate radiocarbon dates to a much higher degree of accuracy. And finally, before the 1970s, parts of Eastern Europe and Central Asia had been off limits to Western scholars, while non-Western archaeologists did not have access to publication in Western peer-reviewed journals. The pioneering work of Marija Gimbutas, assisted by Colin Renfrew, at least partly addressed this problem by organizing expeditions and arranging for more academic collaboration between Western and non-Western scholars.
The Kurgan hypothesis, as of 2014 the most widely held theory, depends on linguistic and archaeological evidence, but is not universally accepted.[9][10] It suggests PIE origin in the Pontic-Caspian steppe during the Chalcolithic.[citation needed] A minority of scholars prefers the Anatolian hypothesis, suggesting an origin in Anatolia during the Neolithic. Other theories (Armenian hypothesis, Out of India theory, Paleolithic Continuity Theory, Balkan hypothesis) have only marginal scholarly support.[citation needed]

Urheimat hypotheses


Scheme of Indo-European migrations from ca. 4000 to 1000 BCE according to the Kurgan hypothesis. The magenta area corresponds to the assumed Urheimat (Samara culture, Sredny Stog culture). The red area corresponds to the area which may have been settled by Indo-European-speaking peoples up to ca. 2500 BCE; the orange area to 1000 BCE.[11]
There has been a great variety of ideas of the location of the first speakers of Proto-Indo-European, few of which have survived scrutiny by academic specialists in Indo-European studies sufficiently well to be included in modern academic debate.[12] The three remaining contenders are summarized here.
In the 20th century, Marija Gimbutas created the Kurgan hypothesis. The name is taken from the kurgans (burial mounds) of the Eurasian steppes. The hypothesis is that the Indo-Europeans were a nomadic tribe of the Pontic-Caspian steppe (now Eastern Ukraine and Southern Russia) and expanded in several waves during the 3rd millennium BC. Their expansion coincided with the taming of the horse. Leaving archaeological signs of their presence (see battle-axe people), they subjugated the peaceful European Neolithic farmers of Gimbutas' Old Europe. As Gimbutas' beliefs evolved, she put increasing emphasis on the patriarchal, patrilinear nature of the invading culture, sharply contrasting it with the supposedly egalitarian, if not matrilinear culture of the invaded, to a point of formulating essentially feminist archaeology. A modified form of this theory by JP Mallory, dating the migrations earlier to around 3500 BC and putting less insistence on their violent or quasi-military nature, remains the most widely held view of the Proto-Indo-European Urheimat.
The Anatolian hypothesis is that the Indo-European languages spread peacefully into Europe from Asia Minor from around 7000 BCE with the advance of farming (wave of advance). The leading propagator of the theory is Colin Renfrew. The culture of the Indo-Europeans as inferred by linguistic reconstruction contradicts this theory, since early Neolithic cultures had neither the horse, nor the wheel, nor metal, terms for all of which are securely reconstructed for Proto-Indo-European. Renfrew dismisses this argument, comparing such reconstructions to a theory that the presence of the word "café" in all modern Romance languages implies that the Ancient Romans had cafés too - the linguistic counter-argument to this being that whereas there can be no clear Proto-Romance reconstruction of the word "café" according to historical linguistic methodology, words such as "wheel" in the Indo-European languages clearly point to an archaic form of the protolanguage. Another one of arguments against Renfrew is the fact that ancient Anatolia is known to have been inhabited by non-Indo-European people, namely the Hattians, Khalib/Karub, and Khaldi/Kardi; though this does not preclude the possibility that the earliest Indo-European speakers may have been there too.
Using stochastic models of word evolution to study the presence or absence of different words across Indo-European languages, Gray and Atkinson suggest that the origin of Indo-European goes back about 8500 years, the first split being that of Hittite from the rest, supporting the Indo-Hittite hypothesis. They attempt to avoid one problem associated with traditional glottochronology – that of linguistic borrowing. However, they inherit the main problems of glottochronology, including the lack of proof that languages have a steady rate of lexical replacement. Their calculations rely entirely on Swadesh lists, and while the results are quite robust for well attested branches, their crucial calculation of the age of Hittite rests on a 200–word Swadesh list of one single language.[13] A more recent paper analyzing 24 mostly ancient languages, including three Anatolian languages, produced the same time estimates and early Anatolian split.[14] These claims are still controversial, however, and most traditional linguists consider these methods too inaccurate to prove the Anatolian hypothesis.[15]
The Armenian hypothesis is based on the Glottalic theory and suggests that the Proto-Indo-European language was spoken during the 4th millennium BCE in the Armenian Highland. It is an Indo-Hittite model and does not include the Anatolian languages in its scenario. The phonological peculiarities of PIE proposed in the Glottalic theory would be best preserved in the Armenian language and the Germanic languages, the former assuming the role of the dialect which remained in situ, implied to be particularly archaic in spite of its late attestation. Proto-Greek would be practically equivalent to Mycenean Greek and date to the 17th century BCE, closely associating Greek migration to Greece with the Indo-Aryan migration to India at about the same time (viz., Indo-European expansion at the transition to the Late Bronze Age, including the possibility of Indo-European Kassites). The Armenian hypothesis argues for the latest possible date of Proto-Indo-European (sans Anatolian), a full millennium later than the mainstream Kurgan hypothesis. In this, it figures as an opposite to the Anatolian hypothesis, in spite of the geographical proximity of the respective Urheimaten suggested, diverging from the time-frame suggested there by a full three millennia.[16]

Genetics


Frequency distribution of R1a1a, also known as R-M17 and R-M198, adapted from Underhill et al. (2009).
The rise of archaeogenetic evidence which uses genetic analysis to trace migration patterns also added new elements to the origins puzzle. In terms of genetics, the subcladeR1a1a (R-M17 or R-M198) is the most commonly associated with Indo-European speakers. The subclade's parent Y-chromosome DNA haplogroupR1a1 is thought to have originated in either the Eurasian Steppe (north of the Black Sea and Caspian Sea) or the Indus Valley.[17] The mutations that characterize haplogroup R1a occurred ~10,000 years BP. Its defining mutation (M17) occurred about 10,000 to 14,000 years ago. Ornella Semino et al. propose a postglacial (Holocene) spread of the R1a1 haplogroup from north of the Black Sea during the time of the Late Glacial Maximum, which was subsequently magnified by the expansion of the Kurgan culture into Europe and eastward.[18] Data so far collected indicate that there are two widely separated areas of high frequency, one in Eastern Europe, around Poland and the Russian core, and the other in South Asia, around North India. The historical and prehistoric possible reasons for this are the subject of on-going discussion and attention amongst population geneticists and genetic genealogists, and are considered to be of potential interest to linguists and archaeologists also.
Out of 10 human male remains assigned to the Andronovo horizon from the Krasnoyarsk region, nine possessed the R1a Y-chromosome haplogroup and one C-M130 haplogroup (xC3). mtDNA haplogroups of nine individuals assigned to the same Andronovo horizon and region were as follows: U4 (two individuals), U2e, U5a1, Z, T1, T4, H, and K2b. Furthermore, 90% of the Bronze Age period mtDNA haplogroups were of west Eurasian origin and the study determined that at least 60% of the individuals overall (out of the 26 Bronze and Iron Age human remains' samples of the study that could be tested) had light hair and blue or green eyes.[19]
A 2004 study also established that during the Bronze Age/Iron Age period, the majority of the population of Kazakhstan (part of the Andronovo culture during Bronze Age), was of west Eurasian origin (with mtDNA haplogroups such as U, H, HV, T, I and W), and that prior to the 13th–7th centuries BCE, all samples from Kazakhstan belonged to European lineages.[20]
Luigi Luca Cavalli-Sforza and Alberto Piazza argue that Renfrew and Gimbutas reinforce rather than contradict each other. Cavalli-Sforza (2000) states that "It is clear that, genetically speaking, peoples of the Kurgan steppe descended at least in part from people of the Middle Eastern Neolithic who immigrated there from Turkey." Piazza & Cavalli-Sforza (2006) state that:
if the expansions began at 9,500 years ago from Anatolia and at 6,000 years ago from the Yamnaya culture region, then a 3,500-year period elapsed during their migration to the Volga-Don region from Anatolia, probably through the Balkans. There a completely new, mostly pastoral culture developed under the stimulus of an environment unfavourable to standard agriculture, but offering new attractive possibilities. Our hypothesis is, therefore, that Indo-European languages derived from a secondary expansion from the Yamnaya culture region after the Neolithic farmers, possibly coming from Anatolia and settled there, developing pastoral nomadism.
Spencer Wells suggests in a (2001) study that the origin, distribution and age of the R1a1haplotype points to an ancient migration, possibly corresponding to the spread by the Kurgan people in their expansion across the Eurasian steppe around 3000 BCE. About his old teacher Cavalli-Sforza's proposal, Wells (2002) states that "there is nothing to contradict this model, although the genetic patterns do not provide clear support either", and instead argues that the evidence is much stronger for Gimbutas' model:
While we see substantial genetic and archaeological evidence for an Indo-European migration originating in the southern Russian steppes, there is little evidence for a similarly massive Indo-European migration from the Middle East to Europe. One possibility is that, as a much earlier migration (8,000 years old, as opposed to 4,000), the genetic signals carried by Indo-European-speaking farmers may simply have dispersed over the years. There is clearly some genetic evidence for migration from the Middle East, as Cavalli-Sforza and his colleagues showed, but the signal is not strong enough for us to trace the distribution of Neolithic languages throughout the entirety of Indo-European-speaking Europe.

Kurgan hypothesis

From Wikipedia, the free encyclopedia

Map of Indo-European migrations from ca. 4000 to 1000 BC according to the Kurgan model. The Anatolian migration (indicated with a dotted arrow) could have taken place either across the Caucasus or across the Balkans. The magenta area corresponds to the assumed Urheimat (Samara culture, Sredny Stog culture). The red area corresponds to the area that may have been settled by Indo-European-speaking peoples up to ca. 2500 BC, and the orange area by 1000 BC.

Historical spread of the chariot. Dates given in image are approximate BC years.

Indo-European isoglosses, including the centum and satem languages (blue and red, respectively), augment, PIE *-tt- > -ss-, *-tt- > -st-, and m-endings.
Part of a series on

The Kurgan hypothesis (also theory or model) is the dominant theory of several scenarios for the Indo-European origins.[note 1] It postulates that the people of an archaeological "Kurgan culture" in the Pontic steppe were the most likely speakers of the Proto-Indo-European language. The term is derived from kurgan (курган), a Turkic loanword in Russian for a tumulus or burial mound.
The Kurgan hypothesis was first formulated in the 1950s by Marija Gimbutas, who used the term to group various cultures, including the Yamna, or Pit Grave, culture and its predecessors. David Anthony instead used the core Yamna Culture and its relationship with other cultures as a point of reference.
Marija Gimbutas defined the "Kurgan culture" as composed of four successive periods, with the earliest (Kurgan I) including the Samara and Seroglazovo cultures of the Dnieper/Volga region in the Copper Age (early 4th millennium BC). The bearers of these cultures were nomadic pastoralists, who, according to the model, by the early 3rd millennium BC expanded throughout the Pontic-Caspian steppe and into Eastern Europe.[3]

Overview

When it was first proposed in 1956, in The Prehistory of Eastern Europe, Part 1, Marija Gimbutas's contribution to the search for Indo-European origins was a pioneering interdisciplinary synthesis of archaeology and linguistics. The Kurgan model of Indo-European origins identifies the Pontic-Caspian steppe as the Proto-Indo-European (PIE) Urheimat, and a variety of late PIE dialects are assumed to have been spoken across the region. According to this model, the Kurgan culture gradually expanded until it encompassed the entire Pontic-Caspian steppe, Kurgan IV being identified with the Pit Grave culture of around 3000 BC.
While arguments for the identification of the Proto-Indo-Europeans as steppe nomads from the Pontic-Caspian region had already been made in the 19th century by Theodor Benfey and Otto Schrader,[4] the idea had never gained traction prior to Gimbutas, with most scholars favouring a Northern European origin instead, linking the Proto-Indo-Europeans to the Corded Ware culture. Gimbutas, who acknowledges Schrader as a precursor,[5] was able to marshal a wealth of archaeological evidence from the territory of the Soviet Union (and other then-communist countries) not readily available to scholars from western countries,[6] enabling her to achieve a fuller picture of prehistoric Europe.
The mobility of the Kurgan culture facilitated its expansion over the entire Pit Grave region, and is attributed to the domestication of the horse and later the use of early chariots.[note 2] The first strong archaeological evidence for the domestication of the horse comes from the Sredny Stog culture north of the Azov Sea in Ukraine, and would correspond to an early PIE or pre-PIE nucleus of the 5th millennium BC.[note 2]
Subsequent expansion beyond the steppes led to hybrid, or in Gimbutas's terms "kurganized" cultures, such as the Globular Amphora culture to the west. From these kurganized cultures came the immigration of Proto-Greeks to the Balkans and the nomadic Indo-Iranian cultures to the east around 2500 BC.

Kurgan culture

Cultural horizon

Gimbutas defined and introduced the term "Kurgan culture" in 1956 with the intention to introduce a "broader term" that would combine Sredny Stog II, Pit-Grave and Corded ware horizons (spanning the 4th to 3rd millennia in much of Eastern and Northern Europe).[note 3] The model of a "Kurgan culture" postulates cultural similarity between the various cultures of the Copper Age to Early Bronze Age (5th to 3rd millennia BC) Pontic-Caspian steppe to justify the identification as a single archaeological culture or cultural horizon. The eponymous construction of kurgans is only one among several factors. As always in the grouping of archaeological cultures, the dividing line between one culture and the next cannot be drawn with any accuracy and will be open to debate.
Cultures that Gimbutas considered as part of the "Kurgan Culture":

Yamna culture

David Anthony considers the term "Kurgan Culture" so lacking in precision as to be useless, instead using the core Yamna Culture and its relationship with other cultures as a point of reference.[7] He points out that
The Kurgan culture was so broadly defined that almost any culture with burial mounds, or even (like the Baden culture) without them could be included.[7]
He does not include the Maikop culture among those that he considers to be IE-speaking, presuming instead that they spoke a Caucasian language.[8]

Stages of culture and expansion


Overview of the Kurgan hypothesis.
Gimbutas' original suggestion identifies four successive stages of the Kurgan culture:
There were three successive proposed "waves" of expansion:

Timeline

  • 4500–4000: Early PIE. Sredny Stog, Dnieper-Donets and Samara cultures, domestication of the horse (Wave 1).
  • 4000–3500: The Pit Grave culture (a.k.a. Yamna culture), the prototypical kurgan builders, emerges in the steppe, and the Maykop culture in the northern Caucasus. Indo-Hittite models postulate the separation of Proto-Anatolian before this time.
  • 3500–3000: Middle PIE. The Pit Grave culture is at its peak, representing the classical reconstructed Proto-Indo-European society with stone idols, predominantly practicing animal husbandry in permanent settlements protected by hillforts, subsisting on agriculture, and fishing along rivers. Contact of the Pit Grave culture with late Neolithic Europe cultures results in the "kurganized" Globular Amphora and Baden cultures (Wave 2). The Maykop culture shows the earliest evidence of the beginning Bronze Age, and Bronze weapons and artifacts are introduced to Pit Grave territory. Probable early Satemization.
  • 3000–2500: Late PIE. The Pit Grave culture extends over the entire Pontic steppe (Wave 3). The Corded Ware culture extends from the Rhine to the Volga, corresponding to the latest phase of Indo-European unity, the vast "kurganized" area disintegrating into various independent languages and cultures, still in loose contact enabling the spread of technology and early loans between the groups, except for the Anatolian and Tocharian branches, which are already isolated from these processes. The Centum-Satem break is probably complete, but the phonetic trends of Satemization remain active.

Genetics

The term "kurganized" used by Gimbutas implied that the culture could have been spread by no more than small bands who imposed themselves on local people as an elite. This idea of the IE language and its daughter-languages diffusing east and west without mass movement has proved popular with archaeologists. However, geneticists have opened up the possibility that these languages spread through population movements.


Haplogroup R1a1a distribution.
Geneticists have noted the correlation of a specific haplogroupR1a1a defined by the M17 (SNP marker) of the Y chromosome and speakers of Indo-European languages in Europe and Asia. The connection between Y-DNA R-M17 and the spread of Indo-European languages was first proposed by Zerjal and colleagues in 1999.[9] and subsequently supported by other authors.[10]Spencer Wells deduced from this correlation that R1a1a arose on the Pontic-Caspian steppe.[11]
Subsequent studies on ancient DNA tested the hypothesis. Skeletons from the Andronovo culture horizon (strongly supposed to be culturally Indo-Iranian) of south Siberia were tested for DNA. Of the 10 males, 9 carried Y-DNA R1a1a (M17). Fairly close matches were found between the ancient DNA STR haplotypes and those in living persons in both eastern Europe and Siberia.[12] Mummies in the Tarim Basin also proved to carry R1a1a and were presumed to be ancestors of Tocharian speakers.[13]
A study published in 2012 states that "R1a1a7-M458 was absent in Afghanistan, suggesting that R1a1a-M17 does not support, as previously thought, expansions from the Pontic Steppe, bringing the Indo-European languages to Central Asia and India."[14] However, this study does not in any way conflict with the hypothesis of expansions from the Pontic Steppe, since the study does not take into account the early wave of the Indo-European speaking people. Even today the R1a1a7-M458 are very rare, almost absent, in the area of the proposed Indo-European origins between the Black Sea and the Caspian Sea; the R1a1a7-M458 marker first started in Poland 10,000 years ago (KYA), and arrived in the western fringes of the Pontic steppe 5,000 years ago and the eastern fringes only 2,500 years ago, while the first Indo-European wave (4500–4000 BC Early PIE) began up to 4,000 years before this.
The DNA testing of remains from kurgans also indicated a high prevalence of people with characteristics such as blue (or green) eyes, fair skin and light hair, implying an origin close to Europe for this population.[15]
Several 4,600 year-old human remains at a Corded Ware site in Eulau, Germany, were also found to belong to haplogroup R1a1a.[16]

Further expansion during the Bronze Age

The Kurgan hypothesis describes the initial spread of Proto-Indo-European during the 5th and 4th millennia BC.[17] The question of further Indo-Europeanization of Central and Western Europe, Central Asia and Northern India during the Bronze Age is beyond its scope, far more uncertain than the events of the Copper Age, and subject to some controversy.

Anatolia

Maykop culture-en.svg
The Anatolian languages are a family of extinct Indo-European languages that were spoken in Asia Minor (ancient Anatolia), the best attested of them being the Hittite language. The Maykop culture (also spelled Maikop), ca. 3700 BC3000 BC,[18] was a major Bronze Age archaeological culture in the Western Caucasus region of Southern Russia. The Hittites were an ancient Anatolian people who established an empire at Hattusa in north-central Anatolia around 1600 BC. This empire reached its height during the mid-14th century BC under Suppiluliuma I, when it encompassed an area that included most of Asia Minor as well as parts of the northern Levant and Upper Mesopotamia. After c. 1180 BC, the empire came to an end during the Bronze Age collapse, splintering into several independent "Neo-Hittite" city-states, some of which survived until the 8th century BC.

Europe

Further information: Corded Ware and Bronze Age Europe
The European Funnelbeaker and Corded Ware cultures have been described as showing intrusive elements linked to Indo-Europeanization, but recent archaeological studies have described them in terms of local continuity, which has led some archaeologists to declare the Kurgan hypothesis "obsolete".[19] However, it is generally held unrealistic to believe that a proto-historic people can be assigned to any particular group on basis of archaeological material alone.[20]
The Corded Ware culture has always been important in locating Indo-European origins. The German archaeologist Alexander Häusler was an important proponent of archeologists that searched for homeland evidence here. He sharply criticised Gimbutas' concept of "a" Kurgan culture that mixes several distinct cultures like the pit-grave culture. Häusler's criticism mostly stemmed from a distinctive lack of archeological evidence until 1950 from what was then the East Bloc, from which time on plenty of evidence for Gimbutas's Kurgan hypothesis was discovered for decades.[21] He was unable to link Corded Ware to the Indo-Europeans of the Balkans, Greece or Anatolia, or to the Indo-Europeans in Asia. Nevertheless, establishing the correct relationship between the Corded Ware and Pontic-Caspian regions is still considered essential to solving the entire homeland problem.[22]

Central Asia

From the Pontic Steppe Indo-European people moved east, where they founded the Sintashta culture and the Andronovo culture. The Sintashta culture, also known as the Sintashta-Petrovka culture[23] or Sintashta-Arkaim culture,[24] is a Bronze Agearchaeological culture of the northern Eurasian steppe on the borders of Eastern Europe and Central Asia, dated to the period 2100–1800 BCE.[25] The Andronovo culture is a collection of similar local Bronze AgeIndo-Iranian cultures that flourished ca. 1800–1400 BCE in western Siberia and the west Asiatic steppe. It is probably better termed an archaeological complex or archaeological horizon. The name derives from the village of Andronovo (
55°53′N 55°42′E / 55.883°N 55.700°E / 55.883; 55.700), where in 1914, several graves were discovered, with skeletons in crouched positions, buried with richly decorated pottery. From these cultures further migrations went further east, to found the Afanasevo culture, and the Tocharian languages formerly spoken by Tocharian peoples in oases on the northern edge of the Tarim Basin (now part of the Xinjiang Uyghur Autonomous Region of China). The Indo-Iranian branch went south, forming the Iranian people and the Indo-Aryan migration into India. Closely related to the Indo-Aryans were the Mitanni, who founded a kingdom in the Middle East.
 WikiMiniAtlas

Revisions

Invasionist vs. diffusionist scenarios

Gimbutas believed that the expansions of the Kurgan culture were a series of essentially hostile, military incursions where a new warrior culture imposed itself on the peaceful, matriarchal cultures of "Old Europe", replacing it with a patriarchalwarrior society,[26] a process visible in the appearance of fortified settlements and hillforts and the graves of warrior-chieftains:
"The process of Indo-Europeanization was a cultural, not a physical, transformation. It must be understood as a military victory in terms of successfully imposing a new administrative system, language, and religion upon the indigenous groups."[27]
In her later life, Gimbutas increasingly emphasized the violent nature of this transition from the Mediterranean cult of the Mother Goddess to a patriarchal society and the worship of the warlike Thunderer (Zeus, Dyaus), to a point of essentially formulating feminist archaeology. Many scholars who accept the general scenario of Indo-European migrations proposed, maintain that the transition was likely much more gradual and peaceful than suggested by Gimbutas. The migrations were certainly not a sudden, concerted military operation, but the expansion of disconnected tribes and cultures, spanning many generations. To what degree the indigenous cultures were peacefully amalgamated or violently displaced remains a matter of controversy among supporters of the Kurgan hypothesis.
JP Mallory (in 1989) accepted the Kurgan hypothesis as the de facto standard theory of Indo-European origins, but he recognizes valid criticism of Gimbutas' radical scenario of military invasion:
One might at first imagine that the economy of argument involved with the Kurgan solution should oblige us to accept it outright. But critics do exist and their objections can be summarized quite simply – almost all of the arguments for invasion and cultural transformations are far better explained without reference to Kurgan expansions, and most of the evidence so far presented is either totally contradicted by other evidence or is the result of gross misinterpretation of the cultural history of Eastern, Central, and Northern Europe."[28]

Kortlandt's proposal

Frederik Kortlandt in 1989 proposed a revision of the Kurgan model.[29] He states the main objection which can be raised against Gimbutas' scheme (e.g., 1985: 198) is that it starts from the archaeological evidence and looks for a linguistic interpretation. Starting from the linguistic evidence and trying to fit the pieces into a coherent whole, he arrives at the following picture: The territory of the Sredny Stog culture in the eastern Ukraine he calls the most convincing candidate for the original Indo-European homeland. The Indo-Europeans who remained after the migrations to the west, east and south (as described by Mallory 1989) became speakers of Balto-Slavic, while the speakers of the other satem languages would have to be assigned to the Pit Grave horizon, and the western Indo-Europeans to the Corded Ware horizon. Returning to the Balts and the Slavs, their ancestors should be correlated to the Middle Dnieper culture. Then, following Mallory (197f) and assuming the origin of this culture to be sought in the Sredny Stog, Yamnaya and Late Tripolye cultures, he proposes the course of these events corresponds with the development of a satem language which was drawn into the western Indo-European sphere of influence.

Criticisms

Occurrence of horse riding in Europe

Renfrew (1999: 268) holds that mounted warriors appear in Europe only as late as 1000 BC and these could in no case have been "Gimbutas's Kurgan warriors" predating the facts by some 2,000 years. Mallory (1989, p.136) enumerates linguistic evidence pointing to PIE period employment of horses in paired draught, something that would not have been possible before the invention of the spoked wheel and chariot, normally dated after about 2500 BC.[30]
According to Krell (1998), Gimbutas' homeland theory is completely incompatible with the linguistic evidence. Krell compiles lists of items of flora, fauna, economy, and technology that archaeology has accounted for in the Kurgan culture and compares it with lists of the same categories as reconstructed by traditional historical-Indo-European linguistics. Krell finds major discrepancies between the two, and underlines the fact that we cannot presume that the reconstructed term for 'horse', for example, referred to the domesticated equid in the protoperiod just because it did in later times. It could originally have referred to a wild equid, a possibility that would "undermine the mainstay of Gimbutas's arguments that the Kurgan culture first domesticated the horse and used this new technology to spread to surrounding areas."[31][30]

Pastoralism vs. agriculture

Kathrin Krell (1998) finds that the terms found in the reconstructed Indo-European language are not compatible with the cultural level of the Kurgans. Krell holds that the Indo-Europeans had agriculture whereas the Kurgan people were "just at a pastoral stage" and hence might not have had sedentary agricultural terms in their language, despite the fact that such terms are part of a Proto-Indo-European core vocabulary.[30]
Krell (1998), "Gimbutas' Kurgans-PIE homeland hypothesis: a linguistic critique", points out that the Proto-Indo-European had an agricultural vocabulary and not merely a pastoral one. As for technology, there are plausible reconstructions suggesting knowledge of navigation, a technology quite atypical of Gimbutas' steppe-centered Kurgan society. Krell concludes that Gimbutas seems to first establish a Kurgan hypothesis, based on purely archaeological observations, and then proceeds to create a picture of the PIE homeland and subsequent dispersal which fits neatly over her archaeological findings. The problem is that in order to do this, she has had to be rather selective in her use of linguistic data, as well as in her interpretation of that data.[30][31]

Kurgan

From Wikipedia, the free encyclopedia
For other uses, see Kurgan (disambiguation).

Sarmatian Kurgan 4th century BC, Fillipovka, South Urals, Russia. This kurgan was excavated in a dig led by Russian Academy of Sciences Archeology Institute Prof. L. Yablonsky in the summer of 2006. It is the first kurgan known to be completely destroyed and then rebuilt to its original appearance.
Kurgan (Russian: курга́н, Polish: kurhan, Georgian: ყორღანი (q'orghani)) is the Turkic word for tumulus, a type of burial mound or barrow, heaped over a burial chamber, often of wood.[1] The noun is derived from Turkish "kurgan", which means "mound". These are mounds of earth and stones raised over a grave or graves. Originating with its use in Soviet archaeology, the word is now widely used for tumuli in the context of Eastern European and Central Asian archaeology.
The earliest kurgans appeared in the 4th millennium BC in the Caucasus,[2] and are associated with the Indo-Europeans.[3] Kurgans were built in the Eneolithic, Bronze, Iron, Antiquity and Middle Ages, with old traditions still active in Southern Siberia and Central Asia. Kurgan cultures are divided archeologically into different sub-cultures, such as Timber Grave, Pit Grave, Scythian, Sarmatian, Hunnish and Kuman-Kipchak.
A plethora of placenames that include the word "kurgan" appear from Lake Baikal to the Black Sea.

Contents

Origins and spread

The earliest kurgans appeared in the 4th millennium BC in the Caucasus.[2] Kurgan barrows were characteristic of Bronze Age peoples, from the Altay Mountains to the Caucasus, Ukraine, Romania, and Bulgaria. Kurgans were used in the Ukrainian and Russian Steppes but spread into eastern, central, and northern Europe in the 3rd millennium BC.

Kurgan hypothesis

Main article: Kurgan hypothesis
The Kurgan hypothesis postulates that the Proto-Indo-Europeans were the bearers of the Kurgan culture of the Black Sea and the Caucasus and west of the Urals. The hypothesis was introduced by Marija Gimbutas in 1956, combining kurgan archaeology with linguistics to locate the origins of the Proto-Indo-European (PIE) speaking peoples. She tentatively named the culture "Kurgan" after their distinctive burial mounds and traced its diffusion into Europe. This hypothesis has had a significant impact on Indo-European studies.[note 1]
Those scholars who follow Gimbutas identify a "Kurgan culture" as reflecting an early Indo-European ethnicity which existed in the steppes and southeastern Europe from the 5th to 3rd millennia BC. In Kurgan cultures, most of the burials were in kurgans, either clan kurgans or individual ones. Most prominent leaders were buried in individual kurgans, now called "Royal kurgans", which attract the greatest attention and publicity.

Scythian-Saka-Siberian monuments

The monuments of these cultures coincide with Scythian-Saka-Siberian monuments. Scythian-Saka-Siberian monuments have common features, and sometimes common genetic roots.[4] Also associated with these spectacular burial mounds are the Pazyryk, an ancient people who lived in the Altai Mountains lying in Siberian Russia on the Ukok Plateau, near the borders with China, Kazakhstan and Mongolia.[5] The archaeological site on the Ukok Plateau associated with the Pazyryk culture is included in the Golden Mountains of Altai UNESCO World Heritage Site.[6]
Scythian-Saka-Siberian classification includes monuments from the 8th to the 3rd century BC. This period is called the Early or Ancient Nomads epoch. "Hunnic" monuments date from the 3rd century BC to the 6th century AD, and other Turkic ones from the 6th century AD to the 13th century AD, leading up to the Mongolian epoch.

Cultural influence


Oleg being mourned by his warriors, an 1899 painting by Viktor Vasnetsov. This burial rite, with the funerary tumulus, is typical of both Scandinavian and Eurasian nomadic customs.
The tradition of kurgan burials touched not only the peoples who buried their deceased in kurgan structures, but also neighboring peoples without this tradition. Various Thracian kings and chieftains were buried in elaborate mound tombs found in modern Bulgaria; Philip II of Macedon, the father of Alexander the Great, was buried in a magnificent kurgan in present Greece; and Midas, a king of ancient Phrygia, was buried in a kurgan near his ancient capital of Gordion[7]

Usage

Architecture

Burial mounds are complex structures with internal chambers. Within the burial chamber at the heart of the kurgan, elite individuals were buried with grave goods and sacrificial offerings, sometimes including horses and chariots. The structures of the earlier Neolithic period from the 4th to the 3rd millenniums BC, and Bronze Age until the 1st millennium BC display continuity of the archaic forming methods driven by the common ritual-mythological ideas.

Common components


Inside view of the Thracian mound tomb at Sveshtari, Bulgaria
In all periods, the development of the kurgan structure tradition in the various ethnocultural zones can be distinguished by common components or typical features in the construction of the monuments. They include:
  • funeral chambers
  • tombs
  • surface and underground constructions of different configurations
  • a mound of earth or stone, with or without an entrance
  • funeral, ritual, and other traits
  • the presence of an altar in the chamber
  • stone fence
  • moat
  • bulwark
  • the presence of an entryway into the chamber, into the tomb, into the fence, or into the kurgan
  • the location of a sacrificial site on the embankments, inside the mound, inside the moat, inside the embankments, and in their links, entryways, and around the kurgan
  • the location of a fire pit in the chamber
  • a wooden roof over or under the kurgan, at the top of the kurgan, or around the kurgan
  • the location of stone statues, columns, poles and other objects; bypass passages inside the kurgan, inside tombs, or around the kurgan
  • funeral paths from the moat or bulwark.
Depending on a combination of elements, each historical and cultural nomadic zone has its architectural peculiarities.

Pre-Scythian-Saka-Sibirian kurgans (Bronze Age)

In the Bronze Age were built kurgans with stone reinforcements. Some of them are believed to be Scythian burials with built-up soil, and embankments reinforced with stone (Olhovsky, 1991).
Pre-Scythian-Saka-Sibirian kurgans were surface kurgans and underground wooden or stone tombs constructed on the surface or underground and then covered with a kurgan. The kurgans of Bronze culture across Europe and Asia were similar to housing; the methods of house construction applied to the construction of the tombs.[8] Kurgan Ak-su - Aüly (12th–11th centuries BC) with a tomb covered by a pyramidal timber roof under a kurgan has space surrounded by double walls serving as a bypass corridor. This design has analogies with Begazy, Sanguyr, Begasar, and Dandybay kurgans.[8] These building traditions survived into the early Middle Ages, to the 8th-10th centuries AD. The Bronze Pre-Scythian-Saka-Sibirian culture developed in close similarity with the cultures of Yenisei, Altai, Kazakhstan, southern, and southeast Amur regions. In the 2nd millennium BC appeared so-called "kurgans-maidans". On a prepared platform were made earthen images of a swan, a turtle, a snake, or other image, with and without burials. Similar structures were found in Ukraine, in South America, and in India.
Some kurgans had facing or tiling. One tomb in Ukraine has 29 large limestone slabs set on end in a circle underground. They were decorated with carved geometrical ornamentation of rhombuses, triangles, crosses, and on one slab, figures of people. Another example has an earthen kurgan under a wooden cone of thick logs topped by an ornamented cornice up to 2 m in height.

Scythian-Saka-Sibirian kurgans (Early Iron Age)


Coloured lithograph after Carlo Bossoli (London, 1856)[9] of the so-called "Tomb of Mithridates", kurgan near Kerch
The Scythian-Saka-Sibirian kurgans in the Early Iron Age are notable for their grandiose mounds throughout the Eurasian continent. The base diameters of the kurgans reach 500 m (1,600 ft) in Siberia[citation needed] (Great Salbyk kurgan (53°54′10″N 90°45′47″E[10][11]) of the settled Tagar culture); in neighboring China they reach 5,000 m (16,000 ft)[citation needed] (kurgan of the first emperor of China in the 3rd century BC near Sian) (Mason, 1997: 71). Kurgans could be extremely tall: the Great Salbyk kurgan is 22–27 m (72–89 ft)[citation needed] (the height of a 7-story building); the kurgan of the Chinese emperor is over 100 m (330 ft)[citation needed]. The presence of such structures in Siberia testifies to a high standard of living and a developed construction culture of the nomads.

Gender

Females were buried in about 20% of graves of the lower and middle Volga river region during the Yamna and Poltavka cultures.[12] Two thousand years later, females dressed as warriors were buried in the same region. David Anthony notes, "About 20% of Scythian-Sarmatian "warrior graves" on the lower Don and lower Volga contained females dressed for battle as if they were men, a phenomenon that probably inspired the Greek tales about the Amazons."[12] A near-equal ratio of male-to-female graves was found in the eastern Manych steppes and Kuban-Azov steppes during the Yamna culture.[12] In Ukraine, the ratio was intermediate between the other two regions.[12]

Archaeological remains

The most obvious archeological remains associated with the Scythians are the great burial mounds, some over 20 m high, which dot the Ukrainian and Russian steppe belts and extend in great chains for many kilometers along ridges and watersheds. From them much has been learnt about Scythian life and art.[13]

Excavated kurgans

Some excavated kurgans include:
  • The Ipatovo kurgan revealed a long sequence of burials from the Maykop culture c. 4000 BC down to the burial of a Sarmatian princess of the 3rd century BC, excavated 1998–99.
  • Kurgan 4 at Kutuluk near Samara, Russia, dated to c. 24th century BC, contains the skeleton of a man, estimated to have been 35 to 40 years old and about 152 cm tall.[14] Resting on the skeleton's bent left elbow was a copper object 65 cm long with a blade of a diamond-shaped cross-section and sharp edges, but no point, and a handle, originally probably wrapped in leather. No similar object is known from Bronze Age Eurasian steppe cultures.
  • The Maikop kurgan dates to the 3rd millennium BC.
  • The Novovelichkovskaya kurgan of c. 2000 BC on the Ponura River, Krasnodar region, southern Russia, contains the remains of 11 people, including an embracing couple, buried with bronze tools, stone carvings, jewelry, and ceramic vessels decorated with red ocher. The tomb is associated with the Novotitorovka culture nomads.
  • The Kostromskaya kurgan of the 7th century BC produced a famous Scythian gold stag (now Hermitage Museum), next to the iron shield it decorated.[15] Apart from the principal male body with his accoutrements, the burial included thirteen humans with no adornment above him, and around the edges of the burial twenty-two horses were buried in pairs.[16] It was excavated by N. I. Veselovski in 1897.[17]
  • The Issyk kurgan, in southern Kazakhstan, contains a skeleton, possibly female, c. 4th century BC, with an inscribed silver cup, gold ornaments, Scythian animal art objects and headdress reminiscent of Kazakh bridal hats; discovered in 1969.
  • Kurgan 11 of the Berel cemetery, in the Bukhtarma River valley of Kazakhstan, contains a tomb of c. 300 BC, with a dozen sacrificed horses preserved with their skin, hair, harnesses, and saddles intact, buried side by side on a bed of birch bark next to a funeral chamber containing the pillaged burial of two Scythian nobles; excavated in 1998.
  • The Ryzhanovka kurgan, a 10 metre high kurgan 125 km south of Kiev, Ukraine, containing the tomb of a Scythian chieftain, 3rd century BC, was excavated in 1996.
  • The Solokha kurgan, in the Zaporizhia Oblast of Ukraine, Scythian, dates to the early 4th century BC.
  • Mamai-gora, kurgan on the banks of Kakhovka Reservoir south west of Enerhodar (near the village of Velyka Znam'yanka). Known as one of the biggest tumulus in Europe. The height of the kurgan is 80 meters. Here were found remains of people from Bronze Age, Scythians, Sarmatians, Cimmerians and Nogai people.
  • The Thracian Tomb of Kazanlak, near the town of Kazanlak in central Bulgaria, is a Thracian kurgan of c. the 4th century BC.
  • The Aleksandrovo kurgan is a Thracian kurgan of c. the 4th century BC.
  • The Thracian Tomb of Sveshtari, Bulgaria, is a Thracian kurgan of c. the 3rd century BC.
  • The Håga Kurgan, located on the outskirts of Uppsala, Sweden, is a large Nordic Bronze Age kurgan from c. 1000 BC.
  • The Pereshchepina Kurgan is a burial memorial of the Great Bulgaria Khan Kubrat from c. AD 660.
  • Noin-Ula kurgan, located by the Selenga River in the northern Mongolia hills north of Ulan Bator, is the tomb of Uchjulü-Chanuy (8 BC – AD 13), head of the Hun confederation.[18]

Kurgans in Poland


Memorial of the Battle of Varna, which took place on 10 November 1444 near Varna, Bulgaria. The facade of the mausoleum is built into the side of an ancient Thracian tomb.
Kurgan building has a long history in Poland. The Polish word for kurgan is kopiec or kurhan. Some excavated kurgans in Poland:

Gallery

See also

Domestication of the horse

From Wikipedia, the free encyclopedia


A 'bred back' Heck Horse, closely resembling the now-extinct Tarpan, a subspecies of wild horse extant at the time of original domestication.
A number of hypotheses exist on many of the key issues regarding the domestication of the horse. Although horses appeared in Paleolithiccave art as early as 30,000 BCE, these were truly wild horses and were probably hunted for meat. How and when horses became domesticated is disputed. The clearest evidence of early use of the horse as a means of transport is from chariot burials dated c. 2000 BCE. However, an increasing amount of evidence supports the hypothesis that horses were domesticated in the Eurasian Steppes approximately 4000–3500 BCE.[1][2][3] Recent discoveries in the context of the Botai culture suggest that Botai settlements in the Akmola Province of Kazakhstan are the location of the earliest domestication of the horse.[4]
The date of the domestication of the horse depends to some degree upon the definition of "domestication". Some zoologists define "domestication" as human control over breeding, which can be detected in ancient skeletal samples by changes in the size and variability of ancient horse populations. Other researchers look at broader evidence, including skeletal and dental evidence of working activity; weapons, art, and spiritual artifacts; and lifestyle patterns of human cultures. There is also evidence that horses were kept as meat animals prior to being trained as working animals.
Attempts to date domestication by genetic study or analysis of physical remains rests on the assumption that there was a separation of the genotypes of domesticated and the wild populations. Such a separation appears to have taken place, but dates based on such methods can only produce an estimate of the latest possible date for domestication without excluding the possibility of an unknown period of earlier gene-flow between wild and domestic populations (which will occur naturally as long as the domesticated population is kept within the habitat of the wild population). Further, all modern horse populations retain the ability to revert to a feral state, and all feral horses are of domestic types; that is, they descend from ancestors that escaped from captivity.
Whether one adopts the narrower zoological definition of domestication or the broader cultural definition that rests on an array of zoological and archaeological evidence affects the time frame chosen for domestication of the horse. The date of 4000 BCE is based on evidence that includes the appearance of dental pathologies associated with bitting, changes in butchering practices, changes in human economies and settlement patterns, the depiction of horses as symbols of power in artifacts, and the appearance of horse bones in human graves.[5] On the other hand, measurable changes in size and increases in variability associated with domestication occurred later, about 2500–2000 BCE, as seen in horse remains found at the site of Csepel-Haros in Hungary, a settlement of the Bell Beaker culture.[6]
Regardless of the specific date of domestication, use of horses spread rapidly across Eurasia for transportation, agricultural work and warfare. Horses and mules in agriculture used a breastplate type harness or a yoke more suitable for oxen, which was not as efficient at utilizing the full strength of the animals as the later-invented padded horse collar that arose several millennia later in western Europe.[7][8]

Predecessors to the domestic horse


Replica of a horse painting from a cave in Lascaux
A 2005 study analyzed the mitochondrial DNA (mtDNA) of a worldwide range of equids, from 53,000 year old fossils to contemporary horses.[9] Their analysis placed all equids into a single clade, or group with a single common ancestor, consisting of three genetically divergent species: Hippidion, the New World stilt-legged horse, and the true horse. The true horse, which ranged from western Europe to eastern Beringia, included prehistoric horses and the Przewalski's Horse, as well as what is now the modern domestic horse, belonged to a single Holarctic species. A more detailed analysis of the true horses grouped them into two major clades. One of these clades, which seemed to have been restricted to North America, is now extinct. The other clade was broadly distributed from North America to central Europe, north and south of Pleistocene ice sheets.[9] It became extinct in Beringia around 14,200 years ago, and in the rest of the Americas around 10,000 years ago.[10][11] This clade survived in Eurasia, however, and it is from these horses which all domestic horses appear to have descended.[9] These horses showed little phylogeographic structure, probably reflecting their high degree of mobility and adaptability.[9]
Therefore, the domestic horse today is classified as Equus ferus caballus. No genetic originals of native wild horses currently exist, other than the never-domesticated Przewalski's Horse. The Przewalski has 66 chromosomes, however, as opposed to 64 among modern domesticated horses, and their Mitochondrial DNA (mtDNA) forms a distinct cluster.[12] Genetic evidence suggests that modern Przewalski's horses are descended from a distinct regional gene pool in the eastern part of the Eurasian steppes, not from the same genetic group that gave rise to modern domesticated horses.[12] Nevertheless, evidence such as the cave paintings of Lascaux suggests that the ancient wild horses that some researchers now label the "Tarpan subtype" probably resembled Przewalski horses in their general appearance: big heads, dun coloration, thick necks, stiff upright manes, and relatively short, stout legs.[13]

Equus caballus germanicus front leg, teeth and upper jaw at the Museum für Naturkunde, Berlin
The horses of the Ice Age were hunted for meat in Europe and across the Eurasian steppes and in North America by early modern humans. Numerous kill sites exist and many cave paintings in Europe indicate what they looked like.[14] Many of these Ice Age subspecies died out during the rapid climate changes associated with the end of the last Ice Age or were hunted out by humans, particularly in North America, where the horse became completely extinct.[15]
Classification based on body types and conformation, absent the availability of DNA for research, once suggested that there were roughly four basic wild prototypes, thought to have developed with adaptations to their environment prior to domestication. There were competing theories; some argued that the four prototypes were separate species or subspecies, while others suggested that the prototypes were physically different manifestations of the same species.[13] However, more recent study indicates that there was only one wild species and all different body types were entirely a result of selective breeding or landrace adaptation after domestication. Either way, the most common theories of prototypes from which all modern breeds are thought to have developed suggests than in addition to the so-called Tarpan subtype, there were the following base prototypes:[13]
  • The "Warmblood subspecies" or "Forest Horse" (once proposed as Equus ferus silvaticus, also known as the Diluvial Horse), which evolved into a later variety sometimes called Equus ferus germanicus. This prototype may have contributed to the development of the warmblood horses of northern Europe, as well as older "heavy horses" such as the Ardennais.
  • The "Draft" subspecies, a small, sturdy, heavyset animal with a heavy hair coat, arising in northern Europe, adapted to cold, damp climates, somewhat resembling today's draft horse and even the Shetland pony.
  • The "Oriental" subspecies (once proposed as Equus agilis), a taller, slim, refined and agile animal arising in Western Asia, adapted to hot, dry climates. It is thought to be the progenitor of the modern Arabian horse and Akhal-Teke.[13]
Only two never-domesticated "wild" groups survived into historic times, Przewalski's horse (Equus ferus przewalski), and the Tarpan (Equus ferus ferus).[16] The Tarpan became extinct in the late 19th century and Przewalski's horse is endangered; it became extinct in the wild during the 1960s, but was re-introduced in the late 1980s to two preserves in Mongolia. Although researchers such as Marija Gimbutas theorized that the horses of the Chalcolithic period were Przewalski's, more recent genetic studies indicate that Przewalski's horse is not an ancestor to modern domesticated horses.[12] Other subspecies of Equus ferus appear to have existed and could have been the stock from which domesticated horses are descended.[16]

Genetic evidence

A 2014 study compared DNA from ancient horse bones that predated domestication and compared them to DNA of modern horses, discovering 125 genes that correlated to domestication. Some were physical, affecting muscle and limb development, cardiac strength and balance. Others were linked to cognitive function and most likely were critical to the taming of the horse, including social behavior, learning capabilities, fear response, and agreeableness.[17] The DNA used in this study came from horse bones 16,000 to 43,000 years ago, and therefore the precise changes that occurred at the time of domestication have yet to be sequenced.[18]
The domestication of stallions and mares can be analyzed separately by looking at those portions of the DNA that are passed on exclusively along the maternal (mitochondrial DNA or mtDNA) or paternal line (Y-chromosome or Y-DNA). DNA studies indicate that there may have been multiple domestication events for mares, as the number of female lines required to account for the genetic diversity of the modern horse suggests a minimum of 77 different ancestral mares, divided into 17 distinct lineages.[12] On the other hand, genetic evidence with regard to the domestication of stallions points at a single domestication event for a limited number of stallions combined with repeated restocking of wild females into the domesticated herds.[19][20][21]
A study published in 2012 that performed genomic sampling on 300 work horses from local areas as well as a review of previous studies of archaeology, mitochondrial DNA, and Y-DNA suggested that horses were originally domesticated in the western part of the Eurasian steppe.[22] Both domesticated stallions and mares spread out from this area, and then additional wild mares were added from local herds; wild mares were easier to handle than wild stallions. Most other parts of the world were ruled out as sites for horse domestication, either due to climate unsuitable for an indigenous wild horse population or no evidence of domestication.[23]
Genes located on the Y-chromosome are inherited only from sire to its male offspring and these lines show a very reduced degree of genetic variation (aka genetic homogeneity) in modern domestic horses, far less than expected based on the overall genetic variation in the remaining genetic material.[19][20] This indicates that a relatively few stallions were domesticated, and that it is unlikely that many male offspring originating from unions between wild stallions and domestic mares were included in early domesticated breeding stock.[19][20]
Genes located in the mitochondrial DNA are passed on along the maternal line from the mother to her offspring. Multiple analyses of the mitochondrial DNA obtained from modern horses as well as from horse bones and tooth from archaeological and palaeological finds consistency shows an increased genetic diversity in the mitochondrial DNA compared to the remaining DNA, showing that a large number of mares has been included into the breeding stock of the originally domesticated horse.[12][21][24][25][26][27] Variation in the mitochondrial DNA is used to determine so-called haplogroups. A haplogroup is a group of closely related haplotypes that share the same common ancestor. In horses, seven main haplogroups are recognized (A-G), each with several subgroups. Several haplogroups are unequally distributed around the world, indicating the addition of local wild mares to the domesticated stock.[12][21][25][26][27] One of these haplotypes (Lusitano group C) is exclusively found on in Iberian Peninsula, leading to a hypothesis that the Iberian peninsula or North Africa was an independent origin for domestication of the horse.[25] However, until there is additional analysis of nuclear DNA and a better understanding of the genetic structure of the earliest domestic herds, this question cannot be answered.[25] It remains possible that a second, independent, domestication site might exist but, as of 2012, research has neither confirmed nor disproven that hypothesis.[23]
Even though horse domestication became widespread in a short period of time, it is still possible that domestication began with a single culture, which passed on techniques and breeding stock. It is possible that the two "wild" subspecies remained when all other groups of once-"wild" horses died out because all others had been, perhaps, more suitable for taming by humans and the selective breeding that gave rise to the modern domestic horse.[28]

Archaeological evidence


The Hyksos, c. 1600 BCE
Evidence for the domestication of the horse comes from three kinds of sources: 1) changes in the skeletons and teeth of ancient horses; 2) changes in the geographic distribution of ancient horses, particularly the introduction of horses into regions where no wild horses had existed; and 3) archaeological sites containing artifacts, images, or evidence of changes in human behavior connected with horses.

Archaeological evidence includes horse remains interred in human graves; changes in the ages and sexes of the horses killed by humans; the appearance of horse corrals; equipment such as bits or other types of horse tack; horses interred with equipment intended for use by horses, such as chariots; and depictions of horses used for riding, driving, draught work, or symbols of human power.
Few of these categories, taken alone, provide irrefutable evidence of domestication, but combined add up to a persuasive argument.

Horses interred with chariots

The least ancient, but most persuasive evidence of domestication comes from sites where horse leg bones and skulls, probably originally attached to hides, were interred with the remains of chariots in at least 16 graves of the Sintashta and Petrovka cultures. These were located in the steppes southeast of the Ural Mountains, between the upper Ural and upper Tobol Rivers, a region today divided between southern Russia and northern Kazakhstan. Petrovka was a little later than and probably grew out of Sintashta, and the two complexes together spanned about 2100–1700 BCE.[5][29] A few of these graves contained the remains of as many as eight sacrificed horses placed in, above, and beside the grave.
In all of the dated chariot graves, the heads and hooves of a pair of horses were placed in a grave that once contained a chariot. Evidence of chariots in these graves was inferred from the impressions of two spoked wheels set in grave floors 1.2–1.6m apart; in most cases the rest of the vehicle left no trace. In addition a pair of disk-shaped antler "cheekpieces," an ancient predecessor to a modern bit shank or bit ring, were placed in pairs beside each horse head-and-hoof sacrifice. The inner faces of the disks had protruding prongs or studs that would have pressed against the horse's lips when the reins were pulled on the opposite side. Studded cheekpieces were a new and fairly severe kind of control device that appeared simultaneously with chariots.
All of the dated chariot graves contained wheel impressions, horse bones, weapons (arrow and javelin points, axes, daggers, or stone mace-heads), human skeletal remains, and cheekpieces. Because they were buried in teams of two with chariots and studded cheekpieces, the evidence is extremely persuasive that these steppe horses of 2100–1700 BCE were domesticated. Shortly after the period of these burials, the expansion of the domestic horse throughout Europe was little short of explosive. In the space of possibly 500 years, there is evidence of horse-drawn chariots in Greece, Egypt, and Mesopotamia. By another 500 years, the horse-drawn chariot had spread to China.

Skeletal indicators of domestication

Some researchers do not consider an animal to be "domesticated" until it exhibits physical changes consistent with selective breeding, or at least having been born and raised entirely in captivity. Until that point, they classify captive animals as merely "tamed". Those who hold to this theory of domestication point to a change in skeletal measurements was detected among horse bones recovered from middens dated about 2500 BCE in eastern Hungary in Bell-Beaker sites, and in later Bronze Age sites in the Russian steppes, Spain, and eastern Europe.[6][30] Horse bones from these contexts exhibited an increase in variability, thought to reflect the survival under human care of both larger and smaller individuals than appeared in the wild; and a decrease in average size, thought to reflect penning and restriction in diet. Horse populations that showed this combination of skeletal changes probably were domesticated. Most evidence suggests that horses were increasingly controlled by humans after about 2500 BCE. However, more recently there have been skeletal remains found at a site in Kazakhstan which display the smaller, more slender limbs characteristic of corralled animals, dated to 3500 BCE.[3]

Botai culture

Some of the most intriguing evidence of early domestication comes from the Botai culture, found in northern Kazakhstan. The Botai culture was a culture of foragers who seem to have adopted horseback riding in order to hunt the abundant wild horses of northern Kazakhstan between 3500–3000 BCE.[31][32] Botai sites had no cattle or sheep bones; the only domesticated animals, in addition to horses, were dogs. Botai settlements in this period contained between 50–150 pit houses. Garbage deposits contained tens to hundreds of thousands of discarded animal bones, 65% to 99% of which had come from horses. Also, there has been evidence found of horse milking at these sites, with horse milk fats soaked into pottery shards dating to 3500 BCE.[3] Earlier hunter-gatherers who lived in the same region had not hunted wild horses with such success, and lived for millennia in smaller, more shifting settlements, often containing less than 200 wild animal bones.
Entire herds of horses were slaughtered by the Botai hunters, apparently in hunting drives. The adoption of horseback riding might explain the appearance of specialized horse-hunting techniques and larger, more permanent settlements. Domesticated horses could have been adopted from neighboring herding societies in the steppes west of the Ural Mountains, where the Khvalynsk culture had herds of cattle and sheep, and perhaps had domesticated horses, as early as 4800 BCE.[32]
Other researchers have argued that all of the Botai horses were wild, and that the horse-hunters of Botai hunted wild horses on foot. As evidence, they note that zoologists have found no skeletal changes in the Botai horses that indicate domestication. Moreover, because they were hunted for food, the majority of the horse remains found in Botai-culture settlements indeed probably were wild. On the other hand, any domesticated riding horses were probably the same size as their wild cousins and cannot now be distinguished by bone measurements.[6] They also note that the age structure of the horses slaughtered at Botai represents a natural demographic profile for hunted animals, not the pattern expected if they were domesticated and selected for slaughter.[33] However, these arguments were published prior to the discovery of a corral at Krasnyi Yar and mats of horse-dung at two other Botai sites.

Bit wear

The presence of bit wear suggest that a horse was ridden or driven, and the earliest of such evidence from a site in Kazakhstan dates to 3500 BCE.[3] Because horses can be ridden and controlled without bits by using a noseband or a hackamore, and such tools are used even today, the absence of bit wear on horse teeth is not conclusive evidence against domestication, but such materials do not produce significant physiological changes nor are they apt to be preserved for millennia.
The regular use of a bit to control a horse can create wear facets or bevels on the anterior corners of the lower second premolars. The corners of the horse's mouth normally keep the bit on the "bars" of the mouth, an interdental space where there are no teeth, forward of the premolars. The bit must be manipulated by a human or the horse must move it with its tongue for it to touch the teeth. Wear can be caused by the bit abrading the front corners of the premolars if the horse grasps and releases the bit between its teeth; other wear can be created by the bit striking the vertical front edge of the lower premolars,[34][35] due to very strong pressure from a human handler.
Modern experiments showed that even organic bits of rope or leather can create significant wear facets, and also showed that facets 3 mm deep or more do not appear on the premolars of wild horses.[36] However, other researchers disputed both conclusions.[33]
Wear facets of 3 mm or more also were found on seven horse premolars in two sites of the Botai, Botai and Kozhai 1, dated about 3500–3000 BCE.[32][37] The Botai culture premolars are the earliest reported multiple examples of this dental pathology in any archaeological site, and preceded any skeletal change indicators by 1,000 years. While wear facets more than 3 mm deep were discovered on the lower second premolars of a single stallion from Dereivka in Ukraine, an Eneolithic settlement dated about 4000 BCE,[37] dental material from one of the worn teeth later produced a radiocarbon date of 700–200 BCE, indicating that this stallion was actually deposited in a pit dug into the older Eneolithic site during the Iron Age.[32]

Dung and corrals

Soil scientists working with Sandra Olsen of the Carnegie Museum of Natural History at the Chalcolithic (also called Eneolithic, or "Copper Age") settlements of Botai and Krasnyi Yar in northern Kazakhstan found layers of horse dung, discarded in unused house pits in both settlements.[38] The collection and disposal of horse dung suggests that horses were confined in corrals or stables. An actual corral, dated to 3500–3000 BCE was identified at Krasnyi Yar by a pattern of post holes for a circular fence, with the soils inside the fence yielding ten times more phosphorus than the soils outside. The phosphorus could represent the remains of manure.[39]

Geographic expansion

The appearance of horse remains in human settlements in regions where they had not previously been present is another indicator of domestication. Although images of horses appear as early as the Upper Paleolithic period in places such as the caves of Lascaux, France, suggesting that wild horses lived in regions outside of the Eurasian steppes prior to domestication and may have even been hunted by early humans, concentration of remains suggests animals being deliberately captured and contained, an indicator of domestication, at least for food, if not necessarily use as a working animal.
Around 3500–3000 BCE, horse bones began to appear more frequently in archaeological sites beyond their center of distribution in the Eurasian steppes and were seen in central Europe, the middle and lower Danube valley, and the North Caucasus and Transcaucasia. Evidence of horses in these areas had been rare before, and as numbers increased, larger animals also began to appear in horse remains. This expansion in range was contemporary with the Botai culture, where there are indications that horses were corralled and ridden. This does not necessarily mean that horses were first domesticated in the steppes, but the horse-hunters of the steppes certainly pursued wild horses more than in any other region. This geographic expansion is interpreted by many zoologists as an early phase in the spread of domesticated horses.[30][40][41]
European wild horses were hunted for up to 10% of the animal bones in a handful of Mesolithic and Neolithic settlements scattered across Spain, France, and the marshlands of northern Germany, but in many other parts of Europe, including Greece, the Balkans, the British Isles, and much of central Europe, horse bones do not occur or occur very rarely in Mesolithic, Neolithic or Chalcolithic sites. In contrast, wild horse bones regularly exceeded 40% of the identified animal bones in Mesolithic and Neolithic camps in the Eurasian steppes, west of the Ural Mountains.[40][42][43]
Horse bones were rare or absent in Neolithic and Chalcolithic kitchen garbage in western Turkey, Mesopotamia, most of Iran, South and Central Asia, and much of Europe.[40][41][44] While horse bones have been identified in Neolithic sites in central Turkey, all equids together totaled less than 3% of the animal bones. Within this three percent, horses were less than 10%, with 90% or more of the equids represented by onagers (Equus hemionus) or another ass-like equid that later became extinct, Equus hydruntinus.[45] Onagers were the most common native wild equids of the Near East. They were hunted in Syria, Anatolia, Mesopotamia, Iran, and Central Asia; and domesticated asses (Equus asinus) were imported into Mesopotamia, probably from Egypt, but wild horses apparently did not live there.[46]

Other evidence of geographic expansion

Later, images of horses, identified by their short ears, flowing manes, and tails that bushed out at the dock, began to appear in artistic media in Mesopotamia during the Akkadian period, 2300-2100 BCE. The word for "horse", literally translated as ass of the mountains, first appeared in Sumerian documents during the Third dynasty of Ur, about 2100-2000 BCE.[46][47] The kings of the Third Dynasty of Ur apparently fed horses to lions for royal entertainment, perhaps indicating that horses were still regarded as more exotic than useful, but King Shulgi, about 2050 BCE, compared himself to "a horse of the highway that swishes its tail", and one image from his reign showed a man apparently riding a horse at full gallop.[48] Horses were imported into Mesopotamia and the lowland Near East in larger numbers after 2000 BCE in connection with the beginning of chariot warfare.
A further expansion, into the lowland Near East and northwestern China, also happened around 2000 BCE, again apparently in conjunction with the chariot. Although Equus bones of uncertain species are found in some Late Neolithic sites in China dated before 2000 BCE, Equus caballus or Equus ferus bones first appeared in multiple sites and in significant numbers in sites of the Qijia and Siba cultures, 2000-1600 BCE, in Gansu and the northwestern provinces of China.[49] The Qijia culture was in contact with cultures of the Eurasian steppes, as shown through similarities between Qijia and Late Bronze Age steppe metallurgy, so it was probably through these contacts that domesticated horses first became frequent in northwestern China.[citation needed]
In 2008, archaeologists announced the discovery of rock art in Somalia's northern Dhambalin region, which the researchers suggest is one of the earliest known depictions of a hunter on horseback. The rock art is in the Ethiopian-Arabian style, dated to 1000 to 3000 BCE.[50][51]

Horse images as symbols of power

About 4200-4000 BCE, more than 500 years before the geographic expansion evidenced by the presence of horse bones, new kinds of graves, named after a grave at Suvorovo, appeared north of the Danube delta in the coastal steppes of Ukraine near Izmail. Suvorovo graves were similar to and probably derived from earlier funeral traditions in the steppes around the Dnieper River. Some Suvorovo graves contained polished stone mace-heads shaped like horse heads and horse tooth beads.[52] Earlier steppe graves also had contained polished stone mace-heads, some of them carved in the shape of animal heads.[53] Settlements in the steppes contemporary with Suvorovo, such as Sredni Stog II and Dereivka on the Dnieper River, contained 12%-52% horse bones.[54]
When Suvorovo graves appeared in the Danube delta grasslands, horse-head maces also appeared in some of the indigenous farming towns of the Tripolye and Gumelnitsa cultures in present-day Romania and Moldova, near the Suvorovo graves.[55] These agricultural cultures had not previously used polished-stone maces, and horse bones were rare or absent in their settlement sites. Probably their horse-head maces came from the Suvorovo immigrants. The Suvorovo people in turn acquired many copper ornaments from the Tripolye and Gumelnitsa towns. After this episode of contact and trade, but still during the period 4200-4000 BCE, about 600 agricultural towns in the Balkans and the lower Danube valley, some of which had been occupied for 2000 years, were abandoned.[56] Copper mining ceased in the Balkan copper mines,[57] and the cultural traditions associated with the agricultural towns were terminated in the Balkans and the lower Danube valley. This collapse of "Old Europe" has been attributed to the immigration of mounted Indo-European warriors.[58] The collapse could have been caused by intensified warfare, for which there is some evidence; and warfare could have been worsened by mounted raiding; and the horse-head maces have been interpreted as indicating the introduction of domesticated horses and riding just before the collapse.
However, mounted raiding is just one possible explanation for this complex event. Environmental deterioration, ecological degradation from millennia of farming, and the exhaustion of easily mined oxide copper ores also are cited as causal factors.[5][56]

Artifacts

Perforated antler objects discovered at Dereivka and other sites contemporary with Suvorovo have been identified as cheekpieces or ‘’psalia’’ for horse bits.[53] This identification is no longer widely accepted, as the objects in question have not been found associated with horse bones, and could have had a variety of other functions.[59] However, through studies of microscopic wear, it has been established that many of the bone tools at Botai were used to smooth rawhide thongs, and rawhide thongs might have been used to manufacture of rawhide cords and ropes, useful for horse tack.[31] Similar bone thong-smoothers are known from many other steppe settlements, but it cannot be known how the thongs were used. The oldest artifacts clearly identified as horse tack—bits, bridles, cheekpieces, or any other kind of horse gear—are the antler disk-shaped cheekpieces associated with the invention of the chariot, at the Sintashta-Petrovka sites.

Horses interred in human graves

The oldest possible archaeological indicator of a changed relationship between horses and humans is the appearance about 4800-4400 BCE of horse bones and carved images of horses in Chalcolithic graves of the early Khvalynsk culture and the Samara culture in the middle Volga region of Russia. At the Khvalynsk cemetery near the town of Khvalynsk, 158 graves of this period were excavated. Of these, 26 graves contained parts of sacrificed domestic animals, and additional sacrifices occurred in ritual deposits on the original ground surface above the graves. Ten graves contained parts of lower horse legs; two of these also contained the bones of domesticated cattle and sheep. At least 52 domesticated sheep or goats, 23 domesticated cattle, and 11 horses were sacrificed at Khvalynsk. The inclusion of horses with cattle and sheep and the exclusion of obviously wild animals together suggest that horses were categorized symbolically with domesticated animals.[citation needed]
At S’yezzhe, a contemporary cemetery of the Samara culture, parts of two horses were placed above a group of human graves. The pair of horses here was represented by the head and hooves, probably originally attached to hides. The same ritual—using the hide with the head and lower leg bones as a symbol for the whole animal—was used for many domesticated cattle and sheep sacrifices at Khvalynsk. Horse images carved from bone were placed in the above-ground ochre deposit at S’yezzhe and occurred at several other sites of the same period in the middle and lower Volga region. Together these archaeological clues suggest that horses had a symbolic importance in the Khvalynsk and Samara cultures that they had lacked earlier, and that they were associated with humans, domesticated cattle, and domesticated sheep. Thus, the earliest phase in the domestication of the horse might have begun during the period 4800-4400 BCE.[citation needed]

Methods of domestication

Equidae died out in the Western Hemisphere at the end of the last Ice Age. A question raised is why and how horses avoided this fate on the Eurasian continent. It has been theorized that domestication saved the species.[60] While the environmental conditions for equine survival in Europe were somewhat more favorable in Eurasia than in the Americas, the same stressors that led to extinction for the Mammoth did have an impact on horses. Thus, some time after 8000 BCE, the approximate date of extinction in the Americas, humans in Eurasia may have begun to keep horses as a livestock food source, and by keeping them in captivity, may have helped to preserve the species.[60] Horses also fit the six core criteria for livestock domestication, and thus, it could be argued, "chose" to live in close proximity to humans.[28]
One model of horse domestication starts with individual foals being kept as pets while the adult horses were slaughtered for meat. Foals are relatively small and easy to handle. Horses behave as herd animals and need companionship to thrive. Both historic and modern data shows that foals can and will bond to humans and other domestic animals to meet their social needs. Thus domestication may have started with young horses being repeatedly made into pets over time, preceding the great discovery that these pets could be ridden or otherwise put to work.
However, there is disagreement over the definition of the term domestication. One interpretation of domestication is that it must include physiological changes associated with being selectively bred in captivity, and not merely "tamed." It has been noted that traditional peoples worldwide (both hunter-gatherers and horticulturists) routinely tame individuals from wild species, typically by hand-rearing infants whose parents have been killed, and these animals are not necessarily "domesticated."[citation needed]
On the other hand, some researchers look to examples from historical times to hypothesize how domestication occurred. For example, while Native American cultures captured and rode horses from the 16th century on, most tribes did not exert significant control over their breeding, thus their horses developed a genotype and phenotype adapted to the uses and climatological conditions in which they were kept, making them more of a landrace than a planned breed as defined by modern standards, but nonetheless "domesticated".

Driving versus riding

A difficult question is if domesticated horses were first ridden or driven. While the most unequivocal evidence shows horses first being used to pull chariots in warfare, there is strong, though indirect, evidence for riding occurring first, particularly by the Botai. Bit wear may correlate to riding, though, as the modern hackamore demonstrates, horses can be ridden without a bit by using rope and other evanescent materials to make equipment that fastens around the nose. So the absence of unequivocal evidence of early riding in the record does not settle the question.
Thus, on one hand, logic suggests that horses would have been ridden long before they were driven. But it is also far more difficult to gather evidence of this, as the materials required for riding—simple hackamores or blankets—would not survive as artifacts, and other than tooth wear from a bit, the skeletal changes in an animal that was ridden would not necessarily be particularly noticeable. Direct evidence of horses being driven is much stronger.[61]
On the other hand, others argue that evidence of bit wear does not necessarily correlate to riding. Some theorists speculate that a horse could have been controlled from the ground by placing a bit in the mouth, connected to a lead rope, and leading the animal while pulling a primitive wagon or plow. Since oxen were usually relegated to this duty in Mesopotamia, it is possible that early plows might have been attempted with the horse, and a bit may indeed have been significant as part of agrarian development rather than as warfare technology.

Horses in historic warfare

Main article: Horses in warfare
While riding may have been practiced during the 4th and 3rd millennia BCE, and the disappearance of "Old European" settlements may be related to attacks by horseback-mounted warriors, the clearest impact by horses on ancient warfare was by pulling chariots, introduced c. 2000 BCE.
Horses in the Bronze Age were relatively small by modern standards, which led some theorists to believe the ancient horses were too small to be ridden and so must have been driven.[citation needed] Herodotus' description of the Sigynnae, a steppe people who bred horses too small to ride but extremely efficient at drawing chariots, illustrates this stage. However, as horses remained generally smaller than modern equines well into the Middle Ages,[62] this theory is highly questionable.
The Iron Age in Mesopotamia saw the rise of mounted cavalry as a tool of war, as evidenced by the notable successes of mounted archer tactics used by various invading equestrian nomads such as the Parthians. Over time, the chariot gradually became obsolete.
The horse of the Iron Age was still relatively small, perhaps 12.2 to 14.2 hands (50 to 58 inches, 127 to 147 cm) high (measured at the withers.) This was shorter overall average height than modern riding horses, which range from about 14.2 to 17.2 hands (58 to 70 inches, 147 to 178 cm). However, small horses were used successfully as light cavalry for many centuries. For example, Fell ponies, believed to be descended from Roman cavalry horses, are comfortably able to carry fully grown adults (although with rather limited ground clearance) at an average height of 13.2 hands (54 inches, 137 cm) Likewise, the Arabian horse is noted for a short back and dense bone, and the successes of the Muslims against the heavy mounted knights of Europe demonstrated that a 14.2 hands (58 inches, 147 cm) can easily carry a full-grown human adult into battle.
Mounted warriors such as the Scythians, Huns and Vandals of late Roman antiquity, the Mongols who invaded eastern Europe in the 7th century through 14th centuries CE, the Muslim warriors of the 8th through 14th centuries CE, and the American Indians in the 16th through 19th centuries each demonstrated effective forms of light cavalry.

Marija Gimbutas

From Wikipedia, the free encyclopedia
Prof. Dr. Marija Gimbutas at the Frauenmuseum Wiesbaden, Germany 1993
Marija Gimbutas (Lithuanian: Marija Gimbutienė; January 23, 1921 – February 2, 1994), was a Lithuanian-American archaeologist known for her research into the Neolithic and Bronze Age cultures of "Old Europe" and for her widely accepted Kurgan hypothesis, which located the Proto-Indo-European homeland in the Pontic Steppe. Gimbutas asserted that Neolithic sites in Lithuania and across Europe provided evidence for pre-Indo-European societies that were neither matriarchal nor patriarchal, although she was later characterized in certain scholarly circles as having proposed that those societies were matriarchal.[1]

Early life

Gimbutas was born as Marija Birutė Alseikaitė to Veronika Janulaitytė-Alseikienė and Danielius Alseika in Vilnius, the capital of Lithuania. Her parents were members of the Lithuanian intelligentsia.[2] Her mother received a doctorate in ophthalmology at the University of Berlin in 1908 and became the first female physician in Lithuania, while her father had received his medical degree from the University of Tartu in 1910. After the 1917 Russian Revolution, Gimbutas' parents founded the first Lithuanian hospital in the capital.[2] During this period, her father also served as the publisher of the newspaper Vilniaus Žodis and the cultural magazine Vilniaus Šviesa and was an outspoken proponent of Lithuanian independence during the war against Poland.[3] Gimbutas' parents were connoisseurs of traditional Lithuanian folk arts and frequently invited contemporary musicians, writers, and authors to their home, such as Vydūnas, Juozas Tumas-Vaižgantas, and Jonas Basanavičius.[4] With regard to her strong cultural upbringing, Gimbutas said:
I had the opportunity to get acquainted with writers and artists such as Vydunas, Vaižgantas, even Basanavičius, who was taken care of by my parents. When I was four or five years old, I would sit in Basanavičius's easy chair and I would feel fine. And later, throughout my entire life, Basanavičius's collected folklore remained extraordinarily important for me.[4]
Gimbutas settled in the temporary capital of Lithuania of Kaunas with her parents in 1931, where she continued her studies. That year, her parents separated and she lived with her mother and brother, Vytautas, in Kaunas. Five years later, her father died suddenly. At her father's deathbed, Gimbutas pledged that she would study to become a scholar: "All of a sudden I had to think what I shall be, what I shall do with my life. I had been so reckless in sports—swimming for miles, skating, bicycle riding. I changed completely and began to read."[5][6]
For the next few years, she participated in ethnographic expeditions to record traditional folklore and studied Lithuanian beliefs and rituals of death.[2] She graduated with honors from Aušra Gymnasium in Kaunas in 1938 and enrolled in the Vytautas Magnus University the same year, where she studied linguistics in the Department of Philology. She then attended University of Vilnius to pursue graduate studies in archaeology under Jonas Puzinas , linguistics, ethnology, folklore and literature.[2] In 1941, she married architect Jurgis Gimbutas. The following year, she completed her master's thesis, "Modes of Burial in Lithuania in the Iron Age", with honors.[2] She received her Master of Arts degree from the University of Vilnius, Lithuania in 1942.
During the Second World War, Gimbutas lived under Soviet and Nazi occupation from 1940–1941 and 1941–1943, respectively.[7] A year after the birth of their first daughter, Danutė, in June 1942, the young Gimbutas family fled the country in the wake of the Soviet re-occupation, first to Vienna and then to Innsbruck and Bavaria.[8] In her reflection of this turbulent period, Gimbutas remarked, "Life just twisted me like a little plant, but my work was continuous in one direction."[9] In 1946, Gimbutas received a doctorate in archaeology, with minors in ethnology and history of religion, from Tübingen University with her dissertation "Prehistoric Burial Rites in Lithuania" (in German), which was published later that year.[8] While holding a postdoctoral fellowship at Tübingen the following year, Gimbutas gave birth to her second daughter, Živilė. She received her PhD. from the University of Tübingen, Germany, in 1946. She did post-graduate work at the University of Heidelberg and the University of Munich 1947–1949. The Gimbutas family left Germany and relocated to the United States in 1949.[8][10][11]

Career

After arriving in the United States, Gimbutas immediately went to work at Harvard University translating Eastern European archaeological texts. She then became a lecturer in the Department of Anthropology. Her third daughter, Rasa Julija, was born August 1954 in Boston during this period. In 1955 she was made a Fellow of Harvard's Peabody Museum.

Kurgan hypothesis

In 1956 Gimbutas introduced her Kurgan hypothesis, which combined archaeological study of the distinctive Kurgan burial mounds with linguistics to unravel some problems in the study of the Proto-Indo-European (PIE) speaking peoples, whom she dubbed the "Kurgans"; namely, to account for their origin and to trace their migrations into Europe. This hypothesis, and the act of bridging the disciplines, has had a significant impact on Indo-European studies.
During the 1950s and early 1960s, Gimbutas earned a reputation as a world-class specialist on the Indo-European Bronze Age, as well as on Lithuanianfolk art and the prehistory of the Balts and Slavs, partly summed up in her definitive opus, Bronze Age Cultures of Central and Eastern Europe (1965). In her work she reinterpreted European prehistory in light of her backgrounds in linguistics, ethnology, and the history of religions, and challenged many traditional assumptions about the beginnings of European civilization.
As a Professor of European Archaeology and Indo-European Studies at UCLA from 1963 to 1989, Gimbutas directed major excavations of Neolithic sites in southeastern Europe between 1967 and 1980, including Anzabegovo, near Štip, Republic of Macedonia and Sitagroi and Achilleion in Thessaly (Greece). Digging through layers of earth representing a period of time before contemporary estimates for Neolithic habitation in Europe — where other archaeologists would not have expected further finds — she unearthed a great number of artifacts of daily life and of religious cults, which she researched and documented throughout her career. A statement made by Marija Gimbutas during her successful career states that : After a millennium when the Hun Empire collapsed, a distinct Slavic culture re-emerged and spread rapidly. Gimbutas wrote: "Neither Bulgars nor Avars colonized the Balkan Peninsula, after storming Thrace, Illyria and Greece they went back to their territory north of the Danube. It was the Slavs who did the colonizing.[12]

Late archaeology


Marija Gimbutas by Kerbstone 52, at the back of Newgrange, Co. Meath, Ireland, in September 1989.
Gimbutas gained fame — and notoriety — with her last three books: The Goddesses and Gods of Old Europe (1974); The Language of the Goddess (1989), which inspired an exhibition in Wiesbaden, 1993/94; and her final book, The Civilization of the Goddess (1991), which based on her documented archeological findings presented an overview of her conclusions about Neolithic cultures across Europe: housing patterns, social structure, art, religion, and the nature of literacy.
The Civilization of the Goddess articulated what Gimbutas saw as the differences between the Old European system, which she considered goddess- and woman-centered (gynocentric), and the Bronze Age Indo-European patriarchal ("androcratic") culture which supplanted it. According to her interpretations, gynocentric (or matristic) societies were peaceful, they honored women, and they espoused economic equality.
The "androcratic", or male-dominated, Kurgan peoples, on the other hand, invaded Europe and imposed upon its natives the hierarchical rule of male warriors.
Gimbutas' work, along with that of her colleague, mythologistJoseph Campbell, is housed at the Joseph Campbell and Marija Gimbutas Library on the campus of Pacifica Graduate InstituteOPUS Archives and Research Center, in Carpinteria, California. The library includes Gimbutas' extensive collection on the topics of archaeology, mythology, folklore, art and linguistics. The Gimbutas Archives house over 12,000 images personally taken by Gimbutas of sacred figures, as well as research files on Neolithic cultures of Old Europe.[13]

Death

In 1993, Marija Gimbutas received an honorary doctorate at Vytautas Magnus University in Kaunas, Lithuania. On 2 February 1994, Gimbutas died in Los Angeles, aged 73. Soon afterwards she was interred in Kaunas' Petrašiūnai Cemetery.

Influence

Gimbutas's theories have been extended and embraced by a number of neopagan authors. Gimbutas did identify the diverse and complex Paleolithic and Neolithic female representations she recognized as depicting a single universal Great Goddess, but also as manifesting a range of female deities: snake goddess, bee goddess, bird goddess, mountain goddess, Mistress of the Animals, etc., which were not necessarily ubiquitous throughout Europe.
In a tape entitled "The Age of the Great Goddess," Gimbutas discusses the various manifestations of the Goddess which occur, and stresses the ultimate unity behind them: all of the Earth as feminine.
In 2004, filmmaker Donna Read and neopagan author and activist Starhawk released a collaborative documentary film about the life and work of Gimbutas, Signs Out of Time.

Assessment


Marija Gimbutienė commemorative plaque in Kaunas, Mickevičius Street
Joseph Campbell and Ashley Montagu[14][15] each compared the importance of Marija Gimbutas' output to the historical importance of the Rosetta Stone in deciphering Egyptian hieroglyphs. Campbell provided a foreword to a new edition of Gimbutas' The Language of the Goddess (1989) before he died, and often said how profoundly he regretted that her research on the Neolithic cultures of Europe had not been available when he was writing The Masks of God.

Criticism

Anthropologist Bernard Wailes (1934–2012) of the University of Pennsylvania commented to The New York Times that he considers Gimbutas "immensely knowledgeable but not very good in critical analysis. ...She amasses all the data and then leaps from it to conclusions without any intervening argument." He said that most archaeologists consider her to be an eccentric.[15]
David Anthony has disputed Gimbutas's assertion that there was a widespread peaceful society prior to the Kurgan incursion, noting that Europe had hillforts and weapons, and presumably warfare, long before the Kurgan.[15] A standard textbook of European prehistory corroborates this point, stating that warfare existed in neolithic Europe, and that adult males were given preferential treatment in burial rites.[16]
Two early critics of the "Goddess" theory were Andrew Fleming and Peter Ucko. Ucko, in his 1968 monograph Anthropomorphic figurines of predynastic Egypt warned against unwarranted inferences about the meanings of statues. Ucko, for example, notes that early Egyptian figurines of women holding their breasts had been taken as "obviously" significant of maternity or fertility, but the Pyramid Texts revealed that in Egypt this was the female sign of grief.[17] Fleming, in his 1969 paper "The Myth of the Mother Goddess", questioned the practice of identifying neolithic figures as female when they weren't clearly distinguished as male, and took issue with other aspects of the "Goddess" interpretation of Neolithic stone carvings and burial practices.[18]
The 2009 book Knossos and the Prophets of Modernism by Cathy Gere examines the political influence on archaeology more generally. Through the example of Knossos on the island of Crete, which had been misrepresented as the paradigm of a pacifist, matriarchal and sexually free society, Gere claims that archaeology can easily slip into reflecting what people want to see, rather than teaching people about an unfamiliar past.[19]

Varna Necropolis

From Wikipedia, the free encyclopedia

The Varna Necropolis (Bulgarian: Варненски некропол) (also Varna Cemetery) is a burial site in the western industrial zone of Varna (approximately half a kilometre from Lake Varna and 4 km from the city centre), Bulgaria, internationally considered one of the key archaeological sites in world prehistory. The oldest golden treasure in the world, dating from 4,600 BC to 4,200 BC, was discovered at the site.[1]

Discovery and excavation

The site was accidentally discovered in October 1972 by excavator operator Raycho Marinov. Research excavation was under the direction of Mihail Lazarov (1972–1976) and Ivan Ivanov (1972–1991). About 30% of estimated necropolis area is still not excavated.
A total of 294 graves have been found in the necropolis,[2] many containing sophisticated examples of metallurgy (gold and copper), pottery (about 600 pieces, including gold-painted ones), high-quality flint and obsidian blades, beads, and shells.

Chronology

The graves have been dated to 4560-4450 BC by radiocarbon dating in 2006 [2] and belong to the Eneolithic Varna culture, which is the local variant of the KGKVI.

Burial rites


A burial at Varna, with some of the world's oldest gold jewelery.
There are crouched and extended inhumations. Some graves do not contain a skeleton, but grave gifts (cenotaphs). These symbolic (empty) graves are the richest in gold artifacts. Three thousand gold artifacts were found, with a weight of approximately six kilograms. Grave 43 contained more gold than has been found in the entire rest of the world for that epoch. Three symbolic graves contained masks of unfired clay.
The findings showed that the Varna culture had trade relations with distant lands (possibly including the lower Volga and the Cyclades), perhaps exporting metal goods and salt from the Provadiya rock salt mine [2]. The copper ore used in the artifacts originated from a Sredna Gora mine near Stara Zagora, and Mediterranean Spondylus shells found in the graves may have served as primitive currency.
The culture had sophisticated religious beliefs about afterlife and developed hierarchical status differences: it offers the oldest known burial evidence of an elite male (the end of the fifth millennium BC is the time that Marija Gimbutas claims the transition to male dominance began in Europe). The high status male buried with the most remarkable amount of gold held a war adze or mace and wore a gold penis sheath. The bull-shaped gold platelets perhaps also venerated virility, instinct force, and warfare. Gimbutas holds that the artifacts were made largely by local craftspeople.

Historical impact

According to M. Gimbutas (1991), "The discontinuity of the Varna, Karanovo, Vinča and Lengyel cultures in their main territories and the large scale population shifts to the north and northwest are indirect evidence of a catastrophe of such proportions that cannot be explained by possible climatic change, land exhaustion, or epidemics (for which there is no evidence in the second half of the 5th millennium B.C.). Direct evidence of the incursion of horse-riding warriors is found, not only in single burials of males under barrows, but in the emergence of a whole complex of Kurgan cultural traits."
According to J. Chapman (2005), "Once upon a time, not so very long ago, it was widely accepted that steppe nomads from the North Pontic zone invaded the Balkans, putting an end to the Climax Copper Age society that produced the apogee of tell living, autonomous copper metallurgy and, as the grandest climax, the Varna cemetery with its stunning early goldwork. Now the boot is very much on the other foot and it is the Varna complex and its associated communities that are held responsible for stimulating the onset of prestige goods-dominated steppe mortuary practice following the expansion of farming."
Among the metallic (gold and copper) and non-metallic (minerals, rocks, pottery, pigments, biofacts) artifacts in the graves from the Varna Chalcolithic site are numerous beads of a chalcedony (carnelian) and agate composition. Three main morphological types of beads are described: type 1 – elongated barrel-shaped; type 2 – elongated with trapezohedral facets; type 3 – short cylindrical (Kostov, 2007; Kostov, Pelevina, 2008). The carnelian and related beads of type 2 have a “constant” number of 32 facets – 16+16 on both sides on the elongation of the bead, which is considered probably the earliest in Chalcolithic times complex type of faceting on such a hard mineral (hardness of chalcedony is 6.5-7 on the Mohs scale). In the hole of a single carnelian bead was found a gold mini-cylinder (~2x2 mm). The gold artifacts from the Varna Chalcolithic necropolis are assumed to be the “oldest gold of mankind” according to their total volume and quantity. Analysis of the measured weight of the different types of gold artеfacts (beads, appliqués, rings, bracelets, pectorals and diadems) revealed a weight system with at least two minimal weight units of ~0.14 and ~0.40 g among both mineral and gold beads (Kostov, 2004; 2007). The second one (=2 carats) was suggested as a basic “Chalcolithic unit” with the name van (from the first letters of Varna necropolis).
In 2009, logician H. Smolenov suggested that the Varna culture people had achieved certain advanced mathematical knowledge testified by the artifacts from the necropolis, some of which might have been used for navigation purposes apart from their possible sacral function.

Museum exhibitions


Golden objects found in the necropolis.
The artifacts can be seen at the Varna Archaeological Museum and at the National Historical Museum in Sofia. In 2006, some gold objects were included in a major and broadly advertised national exhibition of antique gold treasures in both Sofia and Varna.
The gold of Varna started touring the world in 1973; it was included in "The Gold of the Thracian Horseman" national exhibition, shown at many of the world's leading museums and exhibition venues in the 1970s. In 1982, it was exhibited for 7 months in Japan as "The Oldest Gold in the World - The First European Civilization" with massive publicity, including two full length TV documentaries. In the 1980s and 1990s it was also shown in Canada, Germany, France, Italy, and Israel, among others, and featured in a cover story by the National Geographic Magazine.
Varna necropolis artifacts were shown for the first time in the United States in 1998 and 1999 as part of a major Bulgarian archaeological exhibition, Thracians' Riches: Treasures from Bulgaria. In 2009-2010, several artifacts were shown at the New York University Institute for the Study of the Ancient World in a joint Romanian-Bulgarian-Moldovan exhibition entitled The Lost World of Old Europe: The Danube Valley, 5000-3500 BC.[3][4] [5]

Varna culture

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The Varna culture belongs to the late Chalcolithic of northeastern Bulgaria. It is conventionally dated between 4400-4100 BC, that is, contemporary with Karanovo in the South. It is characterized by polychrome pottery and rich cemeteries, the most famous of which are Varna Necropolis, the eponymous site, and the Durankulak complex, which comprises the largest prehistoric cemetery in southeastern Europe, with an adjoining coeval Neolithic settlement (published) and an unpublished and incompletely excavated Chalcolithic settlement.
294 graves have been found in the necropolis, many containing sophisticated examples of copper and gold metallurgy, pottery (about 600 pieces, including gold-painted ones), high-quality flint and obsidian blades, beads, and shells. The site was accidentally discovered in October 1972 by excavator operator Raycho Marinov. Research excavation was under the direction of Mihail Lazarov and Ivan Ivanov. About 30% of the estimated necropolis area is still not excavated.
The findings showed that the Varna culture had trade relations with distant lands, possibly including the lower Volga region and the Cyclades, perhaps exporting metal goods and salt from the Provadiya rock salt mine. The copper ore used in the artifacts originated from a Sredna Gora mine near Stara Zagora, and Mediterranean spondylus shells found in the graves may have served as primitive currency.

Burial rites


A burial at Varna, with some of the world's oldest gold jewellery.
Burials at Varna have some of the world's oldest gold jewelry. There are crouched and extended inhumations. Some graves do not contain a skeleton, but grave gifts (cenotaphs). Interestingly, the symbolic (empty) graves are the richest in gold artifacts. 3000 gold artifacts were found, with a weight of approximately 6 kilograms. Grave 43 contained more gold than has been found in the entire rest of the world for that epoch. Three symbolic graves contained masks of unfired clay.

Religion

The culture had sophisticated religious beliefs about afterlife and developed hierarchical status differences: it constitutes the oldest known burial evidence of an elite male. The end of the fifth millennium BC is the time that Marija Gimbutas, founder of the Kurgan hypothesis claims the transition to male dominance began in Europe. The high status male was buried with remarkable amounts of gold, held a war axe or mace and wore a gold penis sheath. The bull-shaped gold platelets perhaps also venerated virility, instinctive force, and warfare. Gimbutas holds that the artifacts were made largely by local craftspeople.

Decline

The discontinuity of the Varna, Karanovo, Vinča and Lengyel cultures in their main territories and the large scale population shifts to the north and northwest are indirect evidence of a catastrophe of such proportions that cannot be explained by possible climatic change, desertification, or epidemics. Direct evidence of the incursion of horse-riding warriors is found, not only in single burials of males under barrows, but in the emergence of a whole complex of Indo-European cultural traits.

External links

References

  • Khenrieta Todorova, The eneolithic period in Bulgaria in the fifth millennium B.C. Oxford : British Archaeological Reports, 1978. BAR supplementary series 49.
  • Henrieta Todorova, Kupferzeitliche Siedlungen in Nordostbulgarien. München: Beck 1982. Materialien zur allgemeinen und vergleichenden Archäologie 13.

Prehistory of the Balkans

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For the history of Earth before the occupation by the genus homo, including the period of early hominins, see Geology of Europe and Human evolution.

Southeastern European cultures during the Neolithic
The prehistory of Southeastern Europe , defined roughly as the territory of the wider Balkans peninsula (including the territories of the modern countries of Albania, Kosovo, Croatia, Serbia, Macedonia, Greece, Bosnia, Hungary, Romania, Bulgaria, Moldova and Turkey) covers the period from the Upper Paleolithic, beginning with the presence of Homo sapiens in the area some 44,000 years ago, until the appearance of the first written records in Classical Antiquity, in Greece as early as the 8th century BC.
Human prehistory in Southeastern Europe is conventionally divided into smaller periods, such as Upper Paleolithic, Holocene Mesolithic/Epipaleolithic, Neolithic Revolution, expansion of Proto-Indo-Europeans, and Protohistory. The changes between these are gradual. For example, depending on interpretation, protohistory might or might not include Bronze Age Greece (2800–1200 BC),[1] Minoan, Mycenaean, Thracian, Lemnian, and Venetic cultures. By one interpretation of the historiography criterion, Southeastern Europe enters protohistory only with Homer (See also Historicity of the Iliad, and Geography of the Odyssey). At any rate, the period ends before Herodotus in the 5th century BC.[2]

Paleolithic[edit]

(2,600,000 – 13,000 BP)

Balkan Transition to the Upper Paleolithic[edit]

(2,600,000 – 50,000 BP BP)
Main article: Kozarnika
The earliest evidence of human occupation discovered in the Balkans, in Kozarnika Bulgaria, date from at least 1.4 million years ago. [3]



Fundamental elements for the technic description of a lithic flake
There is evidence of human presence in the Balkans from the Lower Paleolithic onwards, but the number of sites is limited. According to Douglass W. Bailey:[4]

The Palaeolithic period, literally the “Old Stone Age”, is an ancient cultural level of human development characterized by the use of unpolished chipped stone tools. The transition from Middle to Upper Palaeolithic is directly related to the development of behavioural modernity by homonids around 40,000 years BP. To denote the great significance and degree of change, this dramatic shift from Middle to Upper Palaeolithic is sometimes called the Upper Palaeolithic Revolution.
In the late Pleistocene, various components of the transition–material culture and environmental features (climate, flora, and fauna) indicate continual change, differing from contemporary points in other parts of Europe. The aforementioned aspects leave some doubt that the term Upper Palaeolithic Revolution is appropriate to the Balkans.
In general, continual evolutionary changes are the first crucial characteristic of the transition to the Upper Palaeolithic in the Balkans. The notion of the Upper Palaeolithic Revolution that has been developed for core European regions is not applicable to the Balkans. What is the reason? This particularly significant moment and its origins are defined and enlightened by other characteristics of the transition to upper Old Stone Age. The environment, climate, flora and fauna corroborate the implications.


Aurignacian double edged scraper on blade - 3 views of the same object.
During the last interglacial period and the most recent glaciation of the Pleistocene (from 131,000 till 12,000 BP), Europe was very different from the Balkans. The glaciations did not affect southeastern Europe to the extent that they did in the northern and central regions. The evidence of forest and steppe indicate the influence was not so drastic; some species of flora and fauna survived only in the Balkans. The Balkans today still abound in species endemic only to this part of Europe.
The notion of gradual transition (or evolution) best defines Balkan Europe from about 50,000 BP. In this sense, the material culture and natural environment of the Balkans of the late Pleistocene and the early Holocene were distinct from other parts of Europe. Douglass W. Bailey writes in Balkan Prehistory: Exclusion, Incorporation and Identity: “Less dramatic changes to climate, flora and fauna resulted in less dramatic adaptive, or reactive, developments in material culture.”
Thus, in speaking about southeastern Europe, many classic conceptions and systematizations of human development during the Palaeolithic (and then by implication the Mesolithic) should not be considered correct in all cases. In this regard, the absence of Upper Palaeolithic cave art in the Balkans does not seem to be surprising. Civilisations develop new and distinctive characteristics as they respond to new challenges in their environment.

Upper Palaeolithic[edit]

(50,000 – 20,000 BP)

Male Cro-Magnon skull
In 2002, some of the oldest modern human (Homo sapiens sapiens) remains in Europe were discovered in the "Cave With Bones" (Peștera cu Oase), near Anina, Romania.[5] Nicknamed "John of Anina" (Ion din Anina), the remains (the lower jaw) are approximately 37,800 years old.
These are some of Europe’s oldest remains of Homo sapiens, so they are likely to represent the first such people to have entered the continent.[6] According to some researchers, the particular interest of the discovery resides in the fact that it presents a mixture of archaic, early modern human and Neanderthal morphological features,[7] indicating considerable Neanderthal/modern human admixture,[8] which in turn suggests that, upon their arrival in Europe, modern humans met and interbred with Neanderthals. Recent reanalysis of some of these fossils has challenged the view that these remains represent evidence of interbreeding.[9] A second expedition by Erik Trinkaus and Ricardo Rodrigo, discovered further fragments (for example, a skull dated ~36,000, nicknamed "Vasile").
Two human fossil remains found in the Muierii (Peştera Muierilor) and the Cioclovina caves in Romania have been radiocarbon dated using the technique of the accelerator mass spectrometry to the age of ~ 30,000 years BP.(see Human fossil bones from the Muierii Cave and the Cioclovina Cave, Romania).
The first skull, scapula and tibia remains were found in 1952 in Baia de Fier, in the Muierii Cave, Gorj County in the Oltenia province, by Constantin Nicolaescu-Plopşor.
In 1941 another skull was found at the Cioclovina Cave near Commune Bosorod, Hunedoara County, in Transylvania. The anthropologist, Francisc Rainer, and the geologist, Ion Th. Simionescu, published a study of this skull.
The physical analysis of these fossils was begun in the summer of the year 2000 by Emilian Alexandrescu, archaeologist at the Vasile Pârvan Institute of Archaeology in Bucharest, and Agata Olariu, physicist at the Institute of Physics and Nuclear Engineering-Horia Hulubei, Bucharest, where samples were taken. One sample of bone was taken from the skull from Cioclovina; samples were also taken from the scapula and tibia remains from Muierii Cave. The work continued at the University of Lund, AMS group, by Göran Skog, Kristina Stenström and Ragnar Hellborg. The samples of bones were dated by radiocarbon method applied at the AMS system of the Lund University and the results are shown in the analysis bulletin [2] issued on the date 14 December 2001.
The human fossil remains from Muierii Cave, Baia de Fier, have been dated to 30,150 ± 800 years BP, and the skull from the Cioclovina Cave has been dated to 29,000 ± 700 years BP.[10][11][12]

Mesolithic

(9,500 – 7,500 BP)

Sculpture found at the archaeological site of Lepenski Vir
The Mesolithic period began at the end of the Pleistocene epoch (10th millennium BC) and ended with the Neolithic introduction of farming, the date of which varied in each geographical region. According to Douglass W. Bailey:[13]

The Mesolithic is the transitional period between the Upper Palaeolithic hunter-gathering existence and the development of farming and pottery production during the Postglacial Neolithic. The duration of the classical Palaeolithic, which lasted until about 10,000 years ago, is applicable to the Balkans. It ended with the Mesolithic (duration is two to four millennia) or, where an early Neolithisation was peculiar to, with the Epipalaeolithic.
Regions with limited glacial impact (e.g. the Balkans), the term Epipalaeolithic is more preferable. Regions that experienced less environmental effects during the last ice age have a much less apparent, straightforward, and occasionally marked by an absence of sites from the Mesolithic era. See the above Douglass W. Bailey quote.
There is lithic evidence in Serbia (see Lepenski Vir), southwestern Romania, and Montenegro. At Ostrovul Banului, the Cuina Turcului rock shelter in the Danube Gorges and in the nearby caves of Climente people make relatively advanced bone and lithic tools (i.e. end-scrapers, blade lets, and flakes).
The single site representing materials related to Mesolithic in Bulgaria is Pobiti Kamini. There is no another lithic evidence on the period. There is a 4,000-gap between the latest Upper Palaeolithic material (13,600 BP at Temnta Dupka) and the earliest Neolithic evidence presented at Gulubnik (the beginning of the 7th millennium BC).
At Odmut in Montenegro there is evidence for human activity in the period. The research of the period was supplemented with Greek Mesolithic well represented by sites such as Frachthi Cave. The other sites are Theopetra Cave and Sesklo in Thessaly that represent the Middle and Upper Palaeolithic as well as the early Neolithic period. Yet southern and coastal sites Greece, which contained materials from the Mesolithic are less known.
Activities began to be concentrated around individual sites where people displayed personal and group identities using various decorations: wearing ornaments and painting their bodies with ochre and hematite. As regards the point of identity D. Bailey writes, “Flint-cutting tools as well as time and effort needed to produce such tools testify the expressions of identity and more flexible combinations of materials, which began to be used in the late Upper Palaeolithic and Mesolithic.”
The aforementioned allows us to speculate whether or not there was a period which could be described as Mesolithic in southeastern Europe, rather than an extended Upper Palaeolithic. On the other hand, lack of research in a number of regions, and the fact that many of the sites were close to the shore (it is evident that the current sea level is 100 m higher, and a number of sites were covered by water) means that Mesolithic Balkans could be referred to as Epipalaeolithic) Balkans which would better describe its gradual continuity and poorly defined development.
The relative climatic stability in the Balkans, compared to northern and western Europe, enabled continuous settlement in the Balkans, thus effectively functioning as an ice-age refuge from where much of Europe, especially eastern Europe, was re-populated.

Neolithic


The Thinker of Hamangia, Neolithic Hamangia culture (c. 5250-4550 BC)
The Balkans were the site of major Neolithic cultures, including Vinča, Varna, Karanovo, Hamangia.
The Vinča culture was an early culture of the Balkans (between the 6th and the 3rd millennium BC), stretching around the course of the Danube in Serbia, Croatia, Romania, Bulgaria, Montenegro, Kosovo, Albania the Republic of Macedonia, although traces of it can be found all around the Balkans, parts of Central Europe and Asia Minor.
"Kurganization" of the eastern Balkans (and the Cucuteni-Trypillian culture adjacent to the north) during the Eneolithic is associated with an early expansion of Indo-Europeans.

Bronze Age

(3,500 – 1,100 BC)
The Bronze Age in the Balkans is divided as follows (Boardman p. 166)
  • Early Bronze Age: 20th to 16th centuries BC
  • Middle Bronze Age: 16th to 14th centuries BC
  • Late Bronze Age: 14th to 13th centuries BC
The Bronze Age in the Central and Eastern Balkans begins late, around 1800 BC. The transition to the Iron Age gradually sets in over the 13th century BC.
The "East Balkan Complex" (Karanovo VII, Ezero culture) covers all of Thrace. The Bronze Age cultures of the Central and Western Balkans are less clearly delineated and stretch to Pannonia, the Carpathians and into Hungary.

Iron Age

(1,100 BC – 150 AD)

The Helmet of Coţofeneşti - a full gold Geto-Dacian helmet dating from the first half of the 4th century BC, currently at the National Museum of Romanian History

Distribution of "Thraco-Cimmerian" finds
After the period that followed the arrival of the Dorians, known as the Greek Dark Ages or Submycenaean Period, the classical Greek culture began to develop in the southern Balkan peninsula, the Aegean islands and the western Asia Minor Greek colonies starting around the 9–8th century (the Geometric Period) and peaking with the 5th century BC Athens democracy.
The Greeks were the first to establish a system of trade routes in the Balkans and, in order to facilitate trade with the natives between 700 BC and 300 BC, they founded several colonies on the Black Sea (Pontus Euxinus) coast, Asia Minor, Dalmatia, Southern Italy (Magna Graecia) etc.
The other peoples of the Balkans organized themselves in large tribal unions such as the Thracian Odrysian kingdom in the Eastern Balkans in the 5th century BC, and the Illyrian kingdom in the Western Balkans from the early 4th century.
Other tribal unions existed in Dacia at least as early as the beginning of the 2nd century BC under King Oroles. The Illyrian tribes were situated in the area corresponding to today's former Yugoslavia and Albania. The name Illyrii was originally used to refer to a people occupying an area centred on Lake Skadar, situated between Albania and Montenegro (see List of ancient tribes in Illyria). The term Illyria was subsequently used by the Greeks and Romans as a generic name to refer to different peoples within a well defined but much greater area.[14]
Hellenistic culture spread throughout the Macedonian Empire created by Alexander the Great from the later 4th century BC. By the end of the 4th century BC Greek language and culture were dominant not only in the Balkans but also around the whole Eastern Mediterranean.
By the 6th century BC the first written sources dealing with the territory north of the Danube appear in Greek sources. By this time the Getae (and later the Daci) had branched out from the Thracian-speaking populations.

Old Europe (archaeology)

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The Neolithic
Old Europe is a term coined by archaeologist Marija Gimbutas to describe what she perceived as a relatively homogeneous pre-Indo-European Neolithic culture in southeastern Europe located in the Danube River valley.[1][2][3]


In her major work, The Goddesses and Gods of Old Europe: Myths and Cult Images (2007),[4] she refers to these Neolithic cultures as Old Europe (Neolithic Europe and Pre-Indo-European as synonymous). Archaeologists and ethnographers working within her framework believe that the evidence points to later migrations and invasions of the peoples who spoke Indo-European languages at the beginning of the Bronze age (the Kurgan hypothesis).

Old Europe

Old Europe, or Neolithic Europe, refers to the time between the Mesolithic and Bronze Age periods in Europe, roughly from 7000 BCE (the approximate time of the first farming societies in Greece) to ca. 1700 BCE (the beginning of the Bronze Age in northwest Europe). The duration of the Neolithic varies from place to place: in southeast Europe it is approximately 4000 years (i. e., 7000–3000 BCE); in North-West Europe it is just under 3000 years (ca. 4500–1700 BCE).
Regardless of specific chronology, many European Neolithic groups share basic characteristics, such as living in small-scale, family-based[citation needed] communities, more egalitarian than the city-states and Chiefdoms of the Bronze Age, subsisting on domestic plants and animals supplemented with the collection of wild plant foods and hunting, and producing hand-made pottery, without the aid of the potter's wheel. There are also many differences, with some Neolithic communities in southeastern Europe living in heavily fortified settlements of 3,000–4,000 people (e.g., Sesklo in Greece) whereas Neolithic groups in Britain were small (possibly 50–100 people) and highly mobile cattle-herders.
Marija Gimbutas investigated the Neolithic period in order to understand cultural developments in settled village culture in the southern Balkans, which she characterized as peaceful, matrilineal, and possessing a goddess-centered religion. In contrast, she characterizes the later Indo-European influences as warlike, nomadic, and patrilineal. Using evidence from pottery and sculpture, and combining the tools of archaeology, comparative mythology, linguistics, and, most controversially, folkloristics, Gimbutas invented a new interdisciplinary field, archaeomythology.
In historical times, some ethnonyms are believed to correspond to Pre-Indo-European peoples, assumed to be the descendants of the earlier Old European cultures: the Pelasgians, Minoans, Leleges, Iberians, Etruscans and Basques. Two of the three pre-Greek peoples of Sicily, the Sicans and the Elymians, may also have been pre-Indo-European. The term "Pre-Indo-European" is sometimes extended to refer to Asia Minor and Central Asia, in which case the Hurrians and Urartians are sometimes included.[citation needed]
How many Pre-Indo-European languages existed is not known. Nor is it known whether the ancient names of peoples descended from the pre-ancient population, actually referred to speakers of distinct languages. Marija Gimbutas (1989), observing a unity of symbols marked especially on pots, but also on other objects, concluded that there may have been a single language spoken in Old Europe. She thought that decipherment would have to wait for the discovery of bilingual texts.
The idea of a Pre-Indo-European language in the region precedes Gimbutas. It went by other names, such as "Pelasgian", "Mediterranean", or "Aegean". Apart from marks on artifacts, the main evidence concerning Pre-Indo-European language is in names: toponyms, ethnonyms, etc., and in roots in other languages believed to be derived from one or more prior languages, possibly unrelated. Reconstruction from the evidence is an accepted, though somewhat speculative, field of study. Suggestions of possible Old European languages include Urbian by Sorin Paliga,[5] the Vasconic substratum hypothesis of Theo Vennemann (also see Sigmund Feist's Germanic substrate hypothesis), and Tyrsenian languages of Helmut Rix.

Indo-European origins

According to Gimbutas' version of the Kurgan hypothesis, Old Europe was invaded and destroyed by horse-riding pastoral nomads from the Pontic-Caspian steppe (the "Kurgan culture") who brought with them violence, patriarchy, and Indo-European languages.[6] More recent proponents of the Kurgan hypothesis agree that the cultures of Old Europe spoke pre-Indo-European languages but include a less dramatic transition, with a prolonged migration of Proto-Indo-European speakers after Old Europe's collapse because of other factors.[7][8]
Colin Renfrew's competing Anatolian hypothesis suggests that the Indo-European languages were spread across Europe by the first farmers from Anatolia. In the hypothesis' original formulation, the languages of Old Europe belonged to the Indo-European family but played no special role in its transmission.[9] According to Renfrew's most recent revision of the theory however Old Europe was a "secondary urheimat" where the Greek, Armenian, and Balto-Slavic language families diverged around 5000 BCE.[10]

Rigveda

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This article is about the collection of Vedic hymns. For the manga series, see RG Veda.
The Rigveda (Sanskrit: ऋग्वेद ṛgveda, a compound of ṛc "praise, verse"[1] and veda "knowledge") is an ancient Indian sacred collection of Vedic Sanskrit hymns.[2] It is counted among the four canonical sacred texts (śruti) of Hinduism known as the Vedas.[note 1]
It is one of the oldest extant texts in any Indo-European language.[3] Philological and linguistic evidence indicate that the Rigveda was composed in the north-western region of the Indian subcontinent, most likely between c. 1500–1200 BCE,[4][5][6] though a wider approximation of c. 1700–1100 BCE has also been given.[7][8][note 2]
The Rigveda contains several mythological and poetical accounts of the origin of the world, hymns praising the gods, and ancient prayers for life, prosperity, etc.[11] Some of its verses are still recited as Hindu prayers, at religious functions and other occasions, making it probably the world's oldest religious texts in continued use.[12]

Contents

Text

The surviving form of the Rigveda is based on an early Iron Age (see dating below) collection that established the core 'family books' (mandalas 27, ordered by author, deity and meter [13]) and a later redaction, co-eval with the redaction of the other Vedas, dating several centuries after the hymns were composed. This redaction also included some additions (contradicting the strict ordering scheme) and orthoepic changes to the Vedic Sanskrit such as the regularization of sandhi (termed orthoepische Diaskeuase by Oldenberg, 1888).
As with the other Vedas, the redacted text has been handed down in several versions, most importantly the Padapatha that has each word isolated in pausa form and is used for just one way of memorization; and the Samhitapatha that combines words according to the rules of sandhi (the process being described in the Pratisakhya) and is the memorized text used for recitation.
The Padapatha and the Pratisakhya anchor the text's fidelity and meaning[14] and the fixed text was preserved with unparalleled fidelity for more than a millennium by oral tradition alone.[15] In order to achieve this the oral tradition prescribed very structured enunciation, involving breaking down the Sanskrit compounds into stems and inflections, as well as certain permutations. This interplay with sounds gave rise to a scholarly tradition of morphology and phonetics. The Rigveda was probably not written down until the Gupta period (4th to 6th centuries CE), by which time the Brahmi script had become widespread (the oldest surviving manuscripts date to the Late Middle Ages).[16] The oral tradition still continued into recent times.
The original text (as authored by the Rishis) is close to but not identical to the extant Samhitapatha, but metrical and other observations allow to reconstruct (in part at least) the original text from the extant one, as printed in the Harvard Oriental Series, vol. 50 (1994).[17]

Organization

Mandala

The text is organized in 10 books, known as Mandalas, of varying age and length.
The "family books": mandalas 2–7, are the oldest part of the Rigveda and the shortest books; they are arranged by length (increasing number of hymns per book) and account for 38% of the text. Within each book, the hymns are arranged in collections each dealing with a particular deity: Agni comes first, Indra comes second, and so on. Within each collection, the hymns are arranged in the descending order in the number of stanzas per hymn. If two hymns in the same collection have equal number of stanzas then they are arranged so that the number of syllables in the metre are in descending order.
The eighth and ninth mandalas, comprising hymns of mixed age, account for 15% and 9%, respectively. The first and the tenth mandalas are the youngest; they are also the longest books, of 191 suktas each, accounting for 37% of the text.

Sukta

Each mandala consists of hymns called sūkta (su-ukta, literally, "well recited, eulogy") intended for various sacrificial rituals. The sūktas in turn consist of individual stanzas called ṛc ("praise", pl. ṛcas), which are further analysed into units of verse called pada ("foot"). The meters most used in the ṛcas are the jagati (a pada consists of 12 syllables), trishtubh (11), viraj (10), gayatri and anushtubh (8).
For pedagogical convenience, each mandala is synthetically divided into roughly equal sections of several sūktas, called anuvāka ("recitation"), which modern publishers often omit. Another scheme divides the entire text over the 10 mandalas into aṣṭaka ("eighth"), adhyāya ("chapter") and varga ("class"). Some publishers give both classifications in a single edition.
The most common numbering scheme is by book, hymn and stanza (and pada a, b, c ..., if required). E.g., the first pada is
  • 1.1.1a agním īḷe puróhitaṃ "Agni I invoke, the housepriest"
and the final pada is
  • 10.191.4d yáthā vaḥ súsahā́sati
Popular suktas include Purusha Sukta, Durga Sukta and Shree Sukta.[18]

Recensions

Several shakhas ("branches", i. e. recensions) of Rig Veda are known to have existed in the past. Of these Śākalya is the only one to have survived in its entirety. Another shakha that may have survived is the Bāṣkala, although this is uncertain.[19][20][21]
The surviving padapatha version of the Rigveda text is ascribed to Śākalya.[22] The Śākala recension has 1,017 regular hymns, and an appendix of 11 vālakhilya hymns[23] which are now customarily included in the 8th mandala (as 8.49–8.59), for a total of 1028 hymns.[24] The Bāṣkala recension includes 8 of these vālakhilya hymns among its regular hymns, making a total of 1025 regular hymns for this śākhā.[25] In addition, the Bāṣkala recension has its own appendix of 98 hymns, the Khilani.[26]
In the 1877 edition of Aufrecht, the 1028 hymns of the Rigveda contain a total of 10,552 ṛcs, or 39,831 padas. The Shatapatha Brahmana gives the number of syllables to be 432,000,[27] while the metrical text of van Nooten and Holland (1994) has a total of 395,563 syllables (or an average of 9.93 syllables per pada); counting the number of syllables is not straightforward because of issues with sandhi and the post-Rigvedic pronunciation of syllables like súvar as svàr.
Three other shakhas are mentioned in Caraṇavyuha, a pariśiṣṭa (supplement) of Yajurveda: Māṇḍukāyana, Aśvalāyana and Śaṅkhāyana. The Atharvaveda lists two more shakhas. The differences between all these shakhas are very minor, limited to varying order of content and inclusion (or non-inclusion) of a few verses. The following information is known about the shakhas other than Śākalya and Bāṣkala:[28]:16
  • Māṇḍukāyana: Perhaps the oldest of the Rigvedic shakhas.
  • Aśvalāyana: Includes 212 verses, all of which are newer than the other Rigvedic hymns.
  • Śaṅkhāyana: Very similar to Aśvalāyana
  • Saisiriya: Mentioned in the Rigveda Pratisakhya. Very similar to Śākala, with a few additional verses; might have derived from or merged with it.

Rishis

See also: Anukramani
Tradition associates a rishi (the composer) with each ṛc of the Rigveda.[29] Most sūktas are attributed to single composers. The "family books" (2–7) are so-called because they have hymns by members of the same clan in each book; but other clans are also represented in the Rigveda. In all, 10 families of rishis account for more than 95% of the ṛcs; for each of them the Rigveda includes a lineage-specific āprī hymn (a special sūkta of rigidly formulaic structure, used for animal sacrifice in the soma ritual).

Family Āprī Ṛcas[30]
Angiras I.142 3619 (especially Mandala 6)
Kanva I.13 1315 (especially Mandala 8)
Vasishtha VII.2 1276 (Mandala 7)
Vishvamitra III.4 983 (Mandala 3)
Atri V.5 885 (Mandala 5)
Bhrgu X.110 473
Kashyapa IX.5 415 (part of Mandala 9)
Grtsamada II.3 401 (Mandala 2)
Agastya I.188 316
Bharata X.70 170

Manuscripts

There are, for example, 30 manuscripts of Rigveda at the Bhandarkar Oriental Research Institute, collected in the 19th century by Georg Bühler, Franz Kielhorn and others, originating from different parts of India, including Kashmir, Gujarat, the then Rajaputana, Central Provinces etc. They were transferred to Deccan College, Pune, in the late 19th century. They are in the Sharada and Devanagari scripts, written on birch bark and paper. The oldest of them is dated to 1464. The 30 manuscripts of Rigveda preserved at the Bhandarkar Oriental Research Institute, Pune were added to UNESCO's Memory of the World Register in 2007.[31][32]
Of these 30 manuscripts, 9 contain the samhita text, 5 have the padapatha in addition. 13 contain Sayana's commentary. At least 5 manuscripts (MS. no. 1/A1879-80, 1/A1881-82, 331/1883-84 and 5/Viś I) have preserved the complete text of the Rigveda. MS no. 5/1875-76, written on birch bark in bold Sharada, was only in part used by Max Müller for his edition of the Rigveda with Sayana's commentary.
Müller used 24 manuscripts then available to him in Europe, while the Pune Edition used over five dozen manuscripts, but the editors of Pune Edition could not procure many manuscripts used by Müller and by the Bombay Edition, as well as from some other sources; hence the total number of extant manuscripts known then must surpass perhaps eighty at least.[33]

Contents

See also: Rigvedic deities
The Rigvedic hymns are dedicated to various deities, chief of whom are Indra, a heroic god praised for having slain his enemy Vrtra; Agni, the sacrificial fire; and Soma, the sacred potion or the plant it is made from. Equally prominent gods are the Adityas or Asura gods MitraVaruna and Ushas (the dawn). Also invoked are Savitr, Vishnu, Rudra, Pushan, Brihaspati or Brahmanaspati, as well as deified natural phenomena such as Dyaus Pita (the shining sky, Father Heaven), Prithivi (the earth, Mother Earth), Surya (the sun god), Vayu or Vata (the wind), Apas (the waters), Parjanya (the thunder and rain), Vac (the word), many rivers (notably the Sapta Sindhu, and the Sarasvati River). The Adityas, Vasus, Rudras, Sadhyas, Ashvins, Maruts, Rbhus, and the Vishvadevas ("all-gods") as well as the "thirty-three gods" are the groups of deities mentioned.
The hymns mention various further minor gods, persons, phenomena and items, and contain fragmentary references to possible historical events, notably the struggle between the early Vedic people (known as Vedic Aryans, a subgroup of the Indo-Aryans) and their enemies, the Dasa or Dasyu and their mythical prototypes, the Paṇi (the Bactrian Parna).


Rigveda (padapatha) manuscript in Devanagari, early 19th century. After a scribal benediction ("śrīgaṇéśāyanamaḥ ;; Aum(3) ;;"), the first line has the opening words of RV.1.1.1 (agniṃ ; iḷe ; puraḥ-hitaṃ ; yajñasya ; devaṃ ; ṛtvijaṃ). The Vedic accent is marked by underscores and vertical overscores in red.
  • Mandala 1 comprises 191 hymns. Hymn 1.1 is addressed to Agni, and his name is the first word of the Rigveda. The remaining hymns are mainly addressed to Agni and Indra, as well as Varuna, Mitra, the Ashvins, the Maruts, Usas, Surya, Rbhus, Rudra, Vayu, Brhaspati, Visnu, Heaven and Earth, and all the Gods.
  • Mandala 2 comprises 43 hymns, mainly to Agni and Indra. It is chiefly attributed to the Rishi gṛtsamada śaunahotra.
  • Mandala 3 comprises 62 hymns, mainly to Agni and Indra and the Vishvedevas. The verse 3.62.10 has great importance in Hinduism as the Gayatri Mantra. Most hymns in this book are attributed to viśvāmitra gāthinaḥ.
  • Mandala 4 comprises 58 hymns, mainly to Agni and Indra as well as the Rbhus, Ashvins, Brhaspati, Vayu, Usas, etc. Most hymns in this book are attributed to vāmadeva gautama.
  • Mandala 5 comprises 87 hymns, mainly to Agni and Indra, the Visvedevas ("all the gods'), the Maruts, the twin-deity Mitra-Varuna and the Asvins. Two hymns each are dedicated to Ushas (the dawn) and to Savitr. Most hymns in this book are attributed to the atri clan.
  • Mandala 6 comprises 75 hymns, mainly to Agni and Indra, all the gods, Pusan, Ashvin, Usas, etc. Most hymns in this book are attributed to the bārhaspatya family of Angirasas.
  • Mandala 7 comprises 104 hymns, to Agni, Indra, the Visvadevas, the Maruts, Mitra-Varuna, the Asvins, Ushas, Indra-Varuna, Varuna, Vayu (the wind), two each to Sarasvati (ancient river/goddess of learning) and Vishnu, and to others. Most hymns in this book are attributed to vasiṣṭha maitravaruṇi.
  • Mandala 8 comprises 103 hymns to various gods. Hymns 8.49 to 8.59 are the apocryphal vālakhilya. Hymns 1–48 and 60–66 are attributed to the kāṇva clan, the rest to other (Angirasa) poets.
  • Mandala 9 comprises 114 hymns, entirely devoted to Soma Pavamana, the cleansing of the sacred potion of the Vedic religion.
  • Mandala 10 comprises additional 191 hymns, frequently in later language, addressed to Agni, Indra and various other deities. It contains the Nadistuti sukta which is in praise of rivers and is important for the reconstruction of the geography of the Vedic civilization and the Purusha sukta which has great significance in Hindu social tradition. It also contains the Nasadiya sukta (10.129), probably the most celebrated hymn in the west, which deals with creation. The marriage hymns (10.85) and the death hymns (10.10–18) still are of great importance in the performance of the corresponding Grhya rituals.

Dating and historical context


Geography of the Rigveda, with river names; the extent of the Swat and Cemetery H cultures are also indicated.
The Rigveda's core is accepted to date to the late Bronze Age, making it one of the few examples with an unbroken tradition. Its composition is usually dated to roughly between c.1500-1200 BCE.[4][5][6][note 3] Philological estimates tend to date the bulk of the text to the second half of the second millennium.[note 4] Being composed in an early Indo-Aryan language, the hymns must post-date the Indo-Iranian separation, dated to roughly 2000 BC.[35] A reasonable date close to that of the composition of the core of the Rigveda is that of the Indo-Aryan Mitanni documents of c. 1400 BC.[36] Other evidence also points to a composition close to 1400 BC.[37][38]
The Rigveda is far more archaic than any other Indo-Aryan text. For this reason, it was in the center of attention of western scholarship from the times of Max Müller and Rudolf Roth onwards. The Rigveda records an early stage of Vedic religion. There are strong linguistic and cultural similarities with the early Iranian Avesta,[39] deriving from the Proto-Indo-Iranian times,[40][41] often associated with the early Andronovo culture (or rather, the Sintashta culture within the early Andronovo horizon) of c. 2000 BC.[42]
The text in the following centuries underwent pronunciation revisions and standardization (samhitapatha, padapatha). This redaction would have been completed around the 6th century BC.[43] Exact dates are not established, but they fall within the pre-Buddhist period (400 BC).
Writing appears in India around the 3rd century BC in the form of the Brahmi script, but texts of the length of the Rigveda were likely not written down until much later. While written manuscripts were used for teaching in medieval times, they were written on birch bark or palm leaves, which decompose fairly quickly in the tropical climate, until the advent of the printing press from the 16th[dubious ] century CE. Some Rigveda commentaries may date from the second half of the first millennium CE. The hymns were thus preserved by oral tradition for up to a millennium from the time of their composition until the redaction of the Rigveda, and the entire Rigveda was preserved in shakhas for another 2,500 years from the time of its redaction until the editio princeps by Rosen, Aufrecht and Max Müller.
After their composition, the texts were preserved and codified by an extensive body of Vedic priesthood as the central philosophy of the Iron Age Vedic civilization. The Brahma Purana and the Vayu Purana name one Vidagdha as the author of the Padapatha.[44] The Rk-pratishakhya names Sthavira Shakalya of the Aitareya Aranyaka as its author.[45]
The Rigveda describes a mobile, semi-nomadic culture, with horse-drawn chariots, oxen-drawn wagons, and metal (bronze) weapons. The geography described is consistent with that of the Greater Punjab: Rivers flow north to south, the mountains are relatively remote but still visible and reachable (Soma is a plant found in the high mountains, and it has to be purchased from tribal people). Nevertheless, the hymns were certainly composed over a long period, with the oldest (not preserved) elements possibly reaching back to times close to the split of Proto-Indo-Iranian (around 2000 BC)[46] Thus there was some debate over whether the boasts of the destruction of stone forts by the Vedic Aryans and particularly by Indra refer to cities of the Indus Valley civilization or whether they rather hark back to clashes between the early Indo-Aryans with the people represented by the Bactria–Margiana Archaeological Complex in what is now northern Afghanistan and southern Turkmenistan (separated from the upper Indus by the Hindu Kush mountain range, and some 400 km distant).
While it is highly likely that the bulk of the Rigvedic hymns were composed in the Punjab, even if based on earlier poetic traditions, there is no mention of either tigers or rice[47] in the Rigveda (as opposed to the later Vedas), suggesting that Vedic culture only penetrated into the plains of India after its completion. Similarly, there is no mention of iron as the term ayas occurring in the Rig Veda refers to useful metal in general.[48] The "black metal" (kṛṣṇa ayas) is first mentioned in the post-Rigvedic texts (Atharvaveda etc.). The Iron Age in northern India begins in the 10th century in the Greater Punjab. There is a widely accepted timeframe for the initial codification of the Rigveda by compiling the hymns very late in the Rigvedic or rather in the early post-Rigvedic period, including the arrangement of the individual hymns in ten books, coeval with the composition of the younger Veda Samhitas. This time coincides with the early Kuru kingdom, shifting the center of Vedic culture east from the Punjab into what is now Uttar Pradesh. The fixing of the samhitapatha (by keeping Sandhi) intact and of the padapatha (by dissolving Sandhi out of the earlier metrical text), occurred during the later Brahmana period.
Some of the names of gods and goddesses found in the Rigveda are found amongst other belief systems based on Proto-Indo-European religion, while words used share common roots with words from other Indo-European languages.
The horse (ashva), cattle, sheep and goat play an important role in the Rigveda. There are also references to the elephant (Hastin, Varana), camel (Ustra, especially in Mandala 8), ass (khara, rasabha), buffalo (Mahisa), wolf, hyena, lion (Simha), mountain goat (sarabha) and to the gaur in the Rigveda.[49] The peafowl (mayura), the goose (hamsa) and the chakravaka (Tadorna ferruginea) are some birds mentioned in the Rigveda.

Ancillary texts

Rigveda Brahmanas

See also: Brahmana
Of the Brahmanas that were handed down in the schools of the Bahvṛcas (i.e. "possessed of many verses"), as the followers of the Rigveda are called, two have come down to us, namely those of the Aitareyins and the Kaushitakins. The Aitareya-brahmana[50] and the Kaushitaki- (or Sankhayana-) brahmana evidently have for their groundwork the same stock of traditional exegetic matter. They differ, however, considerably as regards both the arrangement of this matter and their stylistic handling of it, with the exception of the numerous legends common to both, in which the discrepancy is comparatively slight. There is also a certain amount of material peculiar to each of them.
The Kaushitaka is, upon the whole, far more concise in its style and more systematic in its arrangement features which would lead one to infer that it is probably the more modern work of the two. It consists of thirty chapters (adhyaya); while the Aitareya has forty, divided into eight books (or pentads, pancaka), of five chapters each. The last ten adhyayas of the latter work are, however, clearly a later addition though they must have already formed part of it at the time of Pāṇini (c. 5th century BC), if, as seems probable, one of his grammatical sutras, regulating the formation of the names of Brahmanas, consisting of thirty and forty adhyayas, refers to these two works. In this last portion occurs the well-known legend (also found in the Shankhayana-sutra, but not in the Kaushitaki-brahmana) of Shunahshepa, whom his father Ajigarta sells and offers to slay, the recital of which formed part of the inauguration of kings.
While the Aitareya deals almost exclusively with the Soma sacrifice, the Kaushitaka, in its first six chapters, treats of the several kinds of haviryajna, or offerings of rice, milk, ghee, etc., whereupon follows the Soma sacrifice in this way, that chapters 7–10 contain the practical ceremonial and 11–30 the recitations (shastra) of the hotar. Sayana, in the introduction to his commentary on the work, ascribes the Aitareya to the sage Mahidasa Aitareya (i.e. son of Itara), also mentioned elsewhere as a philosopher; and it seems likely enough that this person arranged the Brahmana and founded the school of the Aitareyins. Regarding the authorship of the sister work we have no information, except that the opinion of the sage Kaushitaki is frequently referred to in it as authoritative, and generally in opposition to the Paingya—the Brahmana, it would seem, of a rival school, the Paingins. Probably, therefore, it is just what one of the manuscripts calls it—the Brahmana of Sankhayana (composed) in accordance with the views of Kaushitaki.

Rigveda Aranyakas

See also: Aranyaka
Each of these two Brahmanas is supplemented by a "forest book", or Aranyaka. The Aitareyaranyaka is not a uniform production. It consists of five books (aranyaka), three of which, the first and the last two, are of a liturgical nature, treating of the ceremony called mahavrata, or great vow. The last of these books, composed in sutra form, is, however, doubtless of later origin, and is, indeed, ascribed by Hindu authorities either to Shaunaka or to Ashvalayana. The second and third books, on the other hand, are purely speculative, and are also styled the Bahvrca-brahmana-upanishad. Again, the last four chapters of the second book are usually singled out as the Aitareyopanishad, ascribed, like its Brahmana (and the first book), to Mahidasa Aitareya; and the third book is also referred to as the Samhita-upanishad. As regards the Kaushitaki-aranyaka, this work consists of 15 adhyayas, the first two (treating of the mahavrata ceremony) and the 7th and 8th of which correspond to the 1st, 5th, and 3rd books of the Aitareyaranyaka, respectively, whilst the four adhyayas usually inserted between them constitute the highly interesting Kaushitaki (brahmana-) upanishad, of which we possess two different recensions. The remaining portions (9–15) of the Aranyaka treat of the vital airs, the internal Agnihotra, etc., ending with the vamsha, or succession of teachers.

Medieval Hindu scholarship

According to Hindu tradition, the Rigvedic hymns were collected by Paila under the guidance of Vyāsa, who formed the Rigveda Samhita as we know it.[51] According to the Śatapatha Brāhmana, the number of syllables in the Rigveda is 432,000, equalling the number of muhurtas (1 day = 30 muhurtas) in forty years. This statement stresses the underlying philosophy of the Vedic books that there is a connection (bandhu) between the astronomical, the physiological, and the spiritual.[52]
The authors of the Brāhmana literature discussed and interpreted the Vedic ritual. Yaska was an early commentator of the Rigveda by discussing the meanings of difficult words. In the 14th century, Sāyana wrote an exhaustive commentary on it.
A number of other commentaries bhāṣyas were written during the medieval period, including the commentaries by Skandasvamin (pre-Sayana, roughly of the Gupta period), Udgitha (pre-Sayana), Venkata-Madhava (pre-Sayana, c. 10th to 12th centuries) and Mudgala Purana (after Sayana, an abbreviated version of Sayana's commentary).[53]

In contemporary Hinduism

Hindu revivalism

Since the 19th and 20th centuries, some reformers like Swami Dayananda Saraswati, founder of the Arya Samaj, Sri Aurobindo among others have attempted to re-interpret the Vedas to conform to modern and established moral and spiritual norms. Dayananda considered the Vedas (which he defined to include only the samhitas) to be source of truth, totally free of error and containing the seeds of all valid knowledge. Contrary to common understanding about Hinduism, he was adamant that Vedas were monotheistic and that they did not sanction idol worship.[54] Starting 1877, he intended to publish commentary on the four vedas but completed work on only the Yajurveda, and a partial commentary on the Rigveda. Dayanand did not develop the keys found in the mantras for the representation of Vedic words. He therefore took recourse to these works and composed them in his Vedic commentaries.[55] Dayananda's work has been reviewed by a number of Vedic scholars and Indologist,[56] Moriz Winternitz applauded him for the "great merit in having given a strong impulse to vedic studies",[57] while Louis Renou dismissed it as, "a vigorous (and from our point of view, extremely aberrant) interpretation in the social and political sense."[58][59]
Dayananda and Aurobindo moved the Vedantic perception of the Rigveda from the original ritualistic content to a more symbolic or mystical interpretation.[60] For example, instances of animal sacrifice were not seen by them as literal slaughtering, but as transcendental processes.

"Indigenous Aryans" debate

Further information: Indigenous Aryans and Out of India theory
Questions surrounding the Rigvedic Sarasvati River and the Nadistuti sukta in particular have become tied to an ideological debate on the Indo-Aryan migration (termed "Aryan Invasion Theory") versus the claim that Vedic culture, together with Vedic Sanskrit, originated in the Indus Valley Civilization (termed "Out of India theory"), a topic of great significance in Hindu nationalism, addressed for example by K. D. Sethna and in Shrikant G. Talageri's The Rigveda: A Historical Analysis. Subhash Kak (1994) claimed that there is an "astronomical code" in the organization of the hymns. Bal Gangadhar Tilak, also based on astronomical alignments in the Rigveda, in his "The Orion" (1893) had claimed presence of the Rigvedic culture in India in the 4th millennium BC, and in his The Arctic Home in the Vedas (1903) even argued that the Aryans originated near the North Pole and came south during the ice age.
Debate on alternative suggestions on the date of the Rigveda, typically much earlier dates, are mostly taking place outside of scholarly literature. Some writers out of the mainstream claim to trace astronomical references in the Rigveda, dating it to as early as 4,000 BC,[61] a date well within the Indian Neolithic.[62] Publications to this effect have increased during the late 1990s to early 2000s in the context of historical revisionism in Hindu nationalism, notably in books published by Voice of India.[63]

Translations

The Rig Veda is hard to translate accurately, because it is the oldest Indo-Aryan text, composed in the archaic Vedic Sanskrit. There are no closely contemporary extant texts, which makes it difficult to interpret.[28]:3
The first published translation of any portion of the Rigveda in any European language was into Latin, by Friedrich August Rosen (Rigvedae specimen, London 1830). Predating Müller's editio princeps of the text, Rosen was working from manuscripts brought back from India by Colebrooke. H. H. Wilson was the first to make a complete translation of the Rig Veda into English, published in six volumes during the period 1850–88.[64] Wilson's version was based on the commentary of Sāyaṇa.

Vedic Sanskrit

From Wikipedia, the free encyclopedia

Vedic Sanskrit is an Old Indo-Aryan language. It is the spoken ancestor of liturgical Sanskrit, and an early descendant of Proto-Indo-Aryan. It is closely related to Avestan, the oldest preserved Iranian language. Vedic Sanskrit is the oldest attested language of the Indo-Iranian branch of the Indo-European family.
Vedic Sanskrit is the language of the Vedas, texts compiled over the period of early-to-mid 2nd to mid 1st millennium BC. It was orally preserved as a part of the Śrauta tradition of Vedic chanting, predating the advent of alphabetic writing in India by several centuries. For lack of both epigraphic evidence and an unbroken manuscript tradition, Vedic Sanskrit is one of the languages that can't be translated accurately in this age. Especially the oldest stage of the language, Rigvedic Sanskrit, the language of the hymns of the Rigveda, is preserved only in a redacted form several centuries younger than the texts' composition. Recovering its original form is a matter of linguistic reconstruction.[1]
From about the 4th century BC, in the classical period of Iron Age Ancient India, Vedic Sanskrit gave way to Classical Sanskrit as defined by the grammar of Pāṇini.

Contents

History


Rigveda (padapatha) manuscript in Devanagari, early 19th century

Prehistoric derivation

Further information: Substratum in Vedic Sanskrit
In spite of being comparatively close to the reconstructed form of Proto-Indo-Iranian, extant Vedic Sanskrit is already clearly marked as a language of the Indic group. Among the phonological changes from Proto-Indo-Iranian is the loss of the /z/ and /ž/ phonemes, and the introduction of a series of retroflex stops. For example, Proto-Indo-Iranian *nižda- "nest" gives Vedic nīḍa- "resting-place, seat, abode", involving both the loss of (accompanied with a lengthening of the *i to ī) and the substitution of the retroflex for *d. On the side of vocabulary, Rigvedic Sanskrit shows a considerable number of loanwords taken from an indigenous Indian source. This substratum influence on early Vedic Sanskrit also extends to phonetic, morphological and syntactical features, and is variously traced to the Dravidian or Munda language families.
The separation of Indo-Aryans proper from the undifferentiated Proto-Indo-Iranian ancestor group is commonly dated, on linguistic grounds, to roughly 1800 BC.[2] The composition of the oldest hymns of the Rigveda is dated to several centuries after this division, or to roughly 1500 BC.[3] Both Asko Parpola (1988) and J.P. Mallory (1998) place the locus of the division of Indo-Aryan from Iranian in the Bronze Age BMAC culture. Parpola (1999) elaborates the model and has "Proto-Rigvedic" Indo-Aryans intrude the BMAC around 1700 BC. He assumes early Indo-Aryan presence in the Late Harappan horizon from about 1900 BC, and "Proto-Rigvedic" (Proto-Dardic) intrusion to the Punjab as corresponding to the Swat culture from about 1700 BC. According to this model, Rigvedic Sanskrit within the larger Indo-Aryan group is the direct ancestor of the Dardic languages.[4] The hymns of the Rigveda are thus composed in a liturgical language which was based on the natural language spoken in Gandhara during the early phase of the Swat culture, at the end of the Indian Bronze Age. This liturgical language over the following centuries came to be separated from spoken vernaculars and came to be known as the "artificial" or "elaborated" (saṃskṛta) language, contrasted to the "natural" or "unrefined" prākṛta vernaculars by the end of the Vedic period.

Chronology

Five chronologically distinct strata can be identified within the Vedic language (Witzel 1989).
  1. Rigvedic The Ṛigveda retains many common Indo-Iranian elements, both in language and in content, that are not present in any other Vedic texts. Its creation must have taken place over several centuries, and apart from the latest books (1 and 10), it must have been essentially complete by around the 12th century BC.
  2. Mantra language This period includes both the mantra and prose language of the Atharvaveda (Paippalada and Shaunakiya), the Rigveda Khilani, the Samaveda Samhita (containing some 75 mantras not in the Rigveda), and the mantras of the Yajurveda. These texts are largely derived from the Rigveda, but have undergone certain changes, both by linguistic change and by reinterpretation. Conspicuous changes include change of viśva "all" to sarva, and the spread of kuru- (for Rigvedic kṛno-) as the present tense form of the verb kar- "make, do". This period corresponds to the early Iron Age in north-western India (iron is first mentioned in the Atharvaveda), and to the kingdom of the Kurus, dating from about the twelfth century BC.
  3. Samhita prose (roughly 1100 BC to 800 BC). This period marks the beginning collection and codification of a Vedic canon. An important linguistic change is the complete loss of the injunctive and of the grammatical moods of the aorist. The commentary part of the Black Yajurveda (MS, KS) belongs to this period.
  4. Brahmana prose (roughly 900 BC to 600 BC) The Brahmanas proper of the four Vedas belong to this period, as well as the Aranyakas (Āraṇyakas) oldest of the Upanishads (Brihadaranyaka Upanishad, Chāndogya Upanishad, Jaiminiya Upanishad Brahmana).
  5. Sutra language This is the last stratum of vedic Sanskrit leading up to 500 BC, comprising the bulk of the Shrauta and Grhya Sutras, and some Upanishads (E.g. Katha Upanishad, Maitrayaniya Upanishad. Younger Upanishads are post-Vedic).
Around 500 BC, cultural, political and linguistic factors all contribute to the end of the Vedic period. The codification of Vedic ritual reached its peak, and counter movements such as the Vedanta and early Buddhism emerged, using the vernacular Pali, a Prakrit dialect, rather than Sanskrit for their texts. Darius I of Persia invaded the Indus valley and the political center of the Indo-Aryan kingdoms shifted eastward, to the Gangetic plain. Around this time (4th century BC), Panini fixes the grammar of Classical Sanskrit.

Phonology

This section treats the distinguishing features of Vedic Sanskrit — see Classical Sanskrit for a general account.
Sound changes between Proto-Indo-Iranian and Vedic Sanskrit include loss of the voiced sibilant z.
Vedic Sanskrit had a bilabial fricative [ɸ], called upadhmānīya, and a velar fricative [x], called jihvamuliya. These are both allophones of visarga: upadhmaniya occurs before p and ph, jihvamuliya before k and kh. Vedic also had a retroflex l, an intervocalic allophone of , represented in Devanagari with the separate symbol and transliterated as or ḷh. In order to disambiguate vocalic l from retroflex l, ISO 15919 transliterates vocalic l with a ring below the letter, . (Vocalic r is then also represented with a ring, , for consistency and to disambiguate it additionally from the retroflex and ṛh of some modern Indian languages.)
Vedic Sanskrit had a pitch accent. Since a small number of words in the late pronunciation of Vedic carry the so-called "independent svarita" on a short vowel, one can argue that late Vedic was marginally a tonal language. Note however that in the metrically restored versions of the Rig Veda almost all of the syllables carrying an independent svarita must revert to a sequence of two syllables, the first of which carries an udātta and the second a (so called) dependent svarita. Early Vedic was thus definitely not a tonal language but a pitch accent language. See Vedic accent.
Pāṇini gives accent rules for the spoken language of his (post-Vedic) time, though there is no extant post-Vedic text with accents.
The pluti vowels (trimoraic vowels) were on the verge of becoming phonological during middle Vedic, but disappeared again.

Principal differences from Classical Sanskrit

Vedic Sanskrit differs from Classical Sanskrit to an extent comparable to the difference between Homeric Greek and Classical Greek. Tiwari ([1955] 2005) lists the following principal differences between the two:
  • Vedic Sanskrit had a voiceless bilabial fricative (/ɸ/, called upadhmānīya) and a voiceless velar fricative (/x/, called jihvāmūlīya)—which used to occur when the breath visarga (अः) appeared before voiceless labial and velar consonants respectively. Both of them were lost in Classical Sanskrit to give way to the simple visarga.
  • Vedic Sanskrit had a retroflex lateral approximant (/ɭ/) (ळ) as well as its aspirated counterpart /ɭʰ/ (ळ्ह्), which were lost in Classical Sanskrit, to be replaced with the corresponding plosives /ɖ/ (ड) and /ɖʱ/ (ढ). (Varies by region; Vedic pronunciations are still in common use in some regions, e.g. Southern India and Maharashtra.)
  • The pronunciations of syllabic /ɻ̩/ (ऋ), /l̩/ (लृ) and their long counterparts no longer retained their pure pronunciations, but had started to be pronounced as short and long /ɻi/ (रि) and /li/ (ल्रि).
  • The vowels e (ए) and o (ओ) were actually realized in Vedic Sanskrit as diphthongs /ai/ and /au/, but they became pure monophthongs /eː/ and /oː/ in Classical Sanskrit.
  • The vowels ai (ऐ) and au (औ) were actually realized in Vedic Sanskrit as hiatus /aːi/ (आइ) and /aːu/ (आउ), but they became diphthongs /ai/ (अइ) and /au/ (अउ) in Classical Sanskrit.
  • The Prātishākhyas claim that the dental consonants were articulated from the root of the teeth (dantamūlīya), but they became pure dentals later. This included the /r/, which later became retroflex.[citation needed]
  • Vedic Sanskrit had a pitch accent which could even change the meaning of the words, and was still in use in Panini's time, as we can infer by his use of devices to indicate its position. At some latter time, this was replaced by a stress accent limited to the second to fourth syllables from the end.
  • Vedic Sanskrit often allowed two like vowels to come together without merger during Sandhi.

Grammar

Main article: Vedic Sanskrit grammar
Vedic had a subjunctive absent in Panini's grammar and generally believed to have disappeared by then at least in common sentence constructions. All tenses could be conjugated in the subjunctive and optative moods, in contrast to Classical Sanskrit, with no subjunctive and only a present optative. (However, the old first-person subjunctive forms were used to complete the Classical Sanskrit imperative.) The three synthetic past tenses (imperfect, perfect and aorist) were still clearly distinguished semantically in (at least the earliest) Vedic, although not at all with the semantics that would be implied by their name. Rather, the imperfect was a narrative tense, similar to the Greek aorist; the perfect was often indistinguishable from the present tense, although possibly with a stative meaning; and the aorist had a meaning similar to the Greek perfect. A fifth mood, the injunctive, also existed.
Long-i stems differentiate the Devi inflection and the Vrkis inflection, a difference lost in Classical Sanskrit.
  • The subjunctive mood of Vedic Sanskrit was also lost in Classical Sanskrit. Also, there was no fixed rule about the use of various tenses (luṇ, laṇ and liṭ).
  • There were more than twelve ways of forming infinitives in Vedic Sanskrit, of which Classical Sanskrit retained only one form.
  • Nominal declinations and verbal conjugation also changed pronunciation, although the spelling was mostly retained in Classical Sanskrit. E.g., along with the Classical Sanskrit's declension of deva as devaḥdevaudevāḥ, Vedic Sanskrit additionally allowed the forms devaḥdevādevāsaḥ. Similarly Vedic Sanskrit has declined forms such as asme, tve, yuṣme, tvā, etc. for the 1st and 2nd person pronouns, not found in Classical Sanskrit. The obvious reason is the attempt of Classical Sanskrit to regularize and standardize its grammar, which simultaneously led to a purge of Old Proto-Indo-European forms.
  • Proto-Indo-European and its immediate daughters were essentially end-inflected languages in which what would later become bound prefixes were still independent morphemes. Such morphemes (especially for verbs) could come anywhere in the sentence, but in Classical Sanskrit, it became mandatory to attach them immediately before the verb; they, then, ceased being independent morphemes and became prefix-morphemes bound to the beginnings of verbs. There was a similar development from Homeric Greek to Classical Greek: see tmesis.

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